Emanaldia kredituak
Datozen Emanaldiak Gaur Aurrera
Iraganeko emanaldiak 2016 — Atzo
Madama Butterfly (Madame Butterfly), Puccini
Bregenzer FestspieleAssistant Set designer
Ikusi antzezle eta ekipoaWider das Verlöschen, Richard Wagner Projekt in 2 Episoden, Various
Karlsruhe Hochschule für MusikSet designer + 1 rol
Ikusi antzezle eta ekipoaPříhody lišky Bystroušky (The Cunning Little Vixen), Janáček
Bayerische StaatsoperAssistant Set designer
Ikusi antzezle eta ekipoaMadama Butterfly (Madame Butterfly), Puccini
Wiener StaatsoperAssistant Set designer
Ikusi antzezle eta ekipoa-
La clemenza di Tito (The Clemency of Titus), Mozart
Oldenburgisches StaatstheaterSet designer
Ikusi antzezle eta ekipoa-
La clemenza di Tito (The Clemency of Titus), Mozart
Oldenburgisches StaatstheaterSet designer
Ikusi antzezle eta ekipoaIraganeko emanaldi aipagarriak
Madama Butterfly (Madame Butterfly), Puccini
Bregenzer FestspieleAssistant Set designer
Ikusi antzezle eta ekipoa
Wider das Verlöschen, Richard Wagner Projekt in 2 Episoden, Various
Karlsruhe Hochschule für MusikSet designer + 1 rol
Ikusi antzezle eta ekipoa
Příhody lišky Bystroušky (The Cunning Little Vixen), Janáček
Bayerische StaatsoperAssistant Set designer
Ikusi antzezle eta ekipoa
Madama Butterfly (Madame Butterfly), Puccini
Wiener StaatsoperAssistant Set designer
Ikusi antzezle eta ekipoa-
La clemenza di Tito (The Clemency of Titus), Mozart
Oldenburgisches StaatstheaterSet designer
Ikusi antzezle eta ekipoaDatozen Emanaldiak
8The Sleeping Beauty (The Sleeping Beauty, op. 66), Tchaikovsky, P. I.
Salzburger LandestheaterSet designer
Ikusi antzezle eta ekipoaDer Leuchtturm / Dido Und Aeneas, DaviesPurcell
Deutsche Oper am RheinSet Design
Ikusi programa, aktoreak eta lantaldeak
Biografia
Matthias Kronfuss is a multi-disciplinary theatre designer based in Vienna, Austria. A trained graphic designer running his own studio since 2007, Matthias continued to enrich his artistic practice by working as a photographer and theatre designer. He gained experience as a scenographer in the London-based studio of renowned Canadian set designer Michael Levine, whom he continues to assist on opera productions in Austria and abroad. As an assistant, he has worked at world-class opera venues such as the Vienna State Opera (Madama Butterfly, 2020), Theater an der Wien (Die Zauberflöte. 2017; Guillaume Tell, 2018), Bayerische Staatsoper (Das Schlaue Füchslein, 2022; Semele, 2023) and Bregenz Festival (Madame Butterfly, 2022). His first own production was La Clemenza di Tito (directed by L
