Matt Boehler • "This Star" from BECOMING SANTA CLAUS (Mark Adamo)
Glasbena dela
2Krediti za predstavo
Prihajajoče predstave Danes naprej
Pretekle predstave 2002 — Včeraj
L´Héroïque symphonie no 3 de Beethoven par Kent Nagano, StravinskyBeethoven
Orchestre Symphonique de MontréalLe Père
Oglejte si program, igralce in ekipoRoméo et Juliette (Romeo and Juliet), Gounod
Toledo OperaFrère Laurent (Friar Laurent)
Oglejte si igralce in ekipoThe Falling and The Rising, Redler, Z.
Des Moines Metro OperaColonel + 1 vlog
Oglejte si igralce in ekipoThe Love for Three Oranges, Prokofiev
Des Moines Metro OperaKuharka (Cook)
Oglejte si igralce in ekipoPredstavljeni pretekli nastopi
L´Héroïque symphonie no 3 de Beethoven par Kent Nagano, StravinskyBeethoven
Orchestre Symphonique de MontréalLe Père
Oglejte si program, igralce in ekipo
Roméo et Juliette (Romeo and Juliet), Gounod
Toledo OperaFrère Laurent (Friar Laurent)
Oglejte si igralce in ekipoThe Falling and The Rising, Redler, Z.
Des Moines Metro OperaColonel + 1 vlog
Oglejte si igralce in ekipoThe Love for Three Oranges, Prokofiev
Des Moines Metro OperaKuharka (Cook)
Oglejte si igralce in ekipo
Prihajajoče predstave
9Pelléas et Mélisande (Pelléas and Mélisande), Debussy
Des Moines Metro OperaArkel
Oglejte si igralce in ekipoAcis and Galatea, Händel
Florentine OperaPolyphemus
Oglejte si igralce in ekipo
Biografija
Hailed by The New York Times as "a bass with an attitude and the goods to back it up," Matt Boehler is a singer known in the worlds of opera and theater for his captivating, dynamic performances and his long-earned reputation as an inventive and truly collaborative artist. He has appeared as a principal artist with The Metropolitan Opera, New York City Opera, Dallas Opera, Santa Fe Opera, Minnesota Opera, Spoleto Festival, Théâtre Royal de la Monnaie, Theater St. Gallen, and Canadian Opera Company, as well as a soloist with the New York Philharmonic, Baltimore Symphony Orchestra, Chicago Symphony Orchestra, Minnesota Orchestra, and the New York Festival of Song, among many others. In addition to bringing "power and brilliant tone" (Opera News) to staples of the standard repertoire, Matt i
