Biography
Mauricio Miranda has a Master of Arts in Music Theory from the National Conservatory of the Universidad de Chile and was the winner of the prestigious FONDART price and scholarship. He began his soloist career in Chile and South America, and continued his training in Europe and North America with Bruno Pola in Germany, Isabel Penagos in Spain and Diana Soviero in the U.S. He graduated from the Washington National Opera's Domingo-Cafritz Young Artist Program, which was founded and directed by Placido Domingo. He has performed at Palacio Euskalduna in Bilbao; Teatro Goldoni in Livorno, Teatro La Laboral in Gijon; Gran Teatro Nacional in Lima; Teatro Municipal de Santiago; Teatro Real de Madrid; and at Kennedy Center in Washington D.C., among others. His repertoire include Count Almaviva in “
Performance credits
Past performances 2006 — Yesterday
Un ballo in maschera (A Masked Ball), Verdi
Maryland Lyric OperaUn Servo d'Amelia (A servant of Amelia) + 1 roles
View cast and crewLe nozze di Figaro (The Marriage of Figaro), Mozart
Maryland Lyric OperaDon Curzio
View cast and crewDon Carlo (Italian version), Verdi
Maryland Lyric OperaIl Conte di Lerma (The Count of Lerma) + 1 roles
View cast and crewFeatured past performances
Un ballo in maschera (A Masked Ball), Verdi
Maryland Lyric OperaUn Servo d'Amelia (A servant of Amelia) + 1 roles
View cast and crew
Le nozze di Figaro (The Marriage of Figaro), Mozart
Maryland Lyric OperaDon Curzio
View cast and crewFeatured performance videos
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Biography
Mauricio Miranda has a Master of Arts in Music Theory from the National Conservatory of the Universidad de Chile and was the winner of the prestigious FONDART price and scholarship. He began his soloist career in Chile and South America, and continued his training in Europe and North America with Bruno Pola in Germany, Isabel Penagos in Spain and Diana Soviero in the U.S. He graduated from the Washington National Opera's Domingo-Cafritz Young Artist Program, which was founded and directed by Placido Domingo. He has performed at Palacio Euskalduna in Bilbao; Teatro Goldoni in Livorno, Teatro La Laboral in Gijon; Gran Teatro Nacional in Lima; Teatro Municipal de Santiago; Teatro Real de Madrid; and at Kennedy Center in Washington D.C., among others. His repertoire include Count Almaviva in “
