Melody Louledjian

Melody Louledjian



Composer & WorkRoleProductions
Ein deutsches RequiemSopran2
La Cour du Roi PétaudGirandole2
Le convenienze ed inconvenienze teatraliLuigia Scannagalli1
Melody Louledjian
Melody Louledjian
Full name: Melody Louledjian
"LUCIA DI LAMMERMOOR" - CULTURAL CENTER OF THE PHILIPPINES - 2020 ​ To her credit, she transformed this scene into one of her winning moments, singing and acting the mad part with realism and with good taste and using the huge stage space to her advantage. The singing was truly focused, her dialogue with the flute never went astray and in the first part, she got a deafening applause and her first round of Bravas! before she could proceed to her cabaletta. Reaching her finale, her mad scene was truly well-nuanced and the audience reciprocated with incessant applause.  There was even more confidence and vocal focus and a lot more soul on the second. She was loudly cheered. On her Manila debut which was also her debut in the role, she earned her share of laurel not to mention an army of Filipino opera fans who also interrupted her mad scene cabaletta in the aria, “Il dolce suono” with long applause. Pablo A. Tariman, Philippine Daily Inquirer, lifestyle.inq ​ Armenian-Spanish-French soprano Melody Louledjian cut a regal, patrician presence on the stage that befitted Lucia’s aristocratic bearing. There was ease in her acting and her singing disclosed a light texture that was well-oiled in the middle register. Obviously, Louledjian reserved her vocal might for the rendition of the mad scene aria “Il dolce souno” and the ensuing cabaletta, “Spargi d’amaro pianto” that lasted for almost 20 minutes, complete with running around the stage and rolling on the floor! Antonio C. Hila,  Philippine Daily Inquirer, lifestyle.inq
Pablo A. Tariman
"DER KAISER VON ATLANTIS" - ULLMANN / "DER DIKTATOR" - KRENECK OPERA DE TENERIFE - 2019 "Melody Louledjian lässt als Charlotte einen feinen Sopran mit hervorragender Diktion hören, technisch optimal geführt und vielfältig in seiner emotionalen Facettierung. Neben einer vorwiegend lyrischen Linienführung im ersten Teil des nur 30 minütigen Stücks zeigt sie am Ende auch beeindruckendes Potenzial zur Attacke. Spätestens da wird klar, warum Louledjian schon an vielen großen Häusern gesungen hat und ihr Debut in Santa Cruz de Tenerife letztes Jahr mit der Violetta in „La traviata“ gab. Sie widmet sich auch in hohem Maße der modernen Musik." Klaus Billand, Opera Online "Melody Louledjian gives to hear as Charlotte a fine soprano with excellent diction, technically optimally guided and diverse in its emotional facets. In addition to a predominantly lyrical line in the first part of the only 30 minute piece, she also shows impressive potential for attack in the end. By then, it becomes clear, at the latest, why Louledjian has sung in many big houses and made her debut in Santa Cruz de Tenerife last year with the Violetta in "La traviata". She also devotes herself to a great extent to modern music. " Klaus Billand, Opera Online ​ "Por su parte, la soprano, Melody Louledjian como Charlotte, esposa del dictador, mostró sus magníficas dotes vocales desde la primera entrada en “Ich habe Angst”, profundizó en el personaje y formó el contrapunto ideal a la labor de Acosta y Taddia. (...) Melody Louledjian volvió a mostrar sus cualidades vocales e interpretativas en su excelente versión de Bubikopf." Francisco Martínez Ramos, Bachtrack "For her part, the soprano, Melody Louledjian as Charlotte, wife of the dictator, showed her magnificent vocal skills from the first entry in" Ich habe Angst ", delved into the character and formed the ideal counterpoint to the work of Acosta and Taddia. (...) Melody Louledjian again showed her vocal and acting qualities in her excellent version of Bubikopf. " Francisco Martínez Ramos, Bachtrack "Sin olvidar a Melody Louledjian, una fantástica soprano que fue otro Soldado." Estrella ORTEGA, OperaActual "Not forgetting Melody Louledjian, a fantastic soprano who was another Soldier." Estrella ORTEGA, OperaActual "La soprano Melody Louledjian, en el papel ficticio de Charlotte, con su magnífica voz aterciopelada, nos ofreció una actuación impecable; tanto en la voz como en la interpretación. (...) Sin embargo, fue sobresaliente el dueto entre él y Melody Louledjian en el rol de Bubikopf. La sinergia entre ambas voces fue exquisita, ya que unificaron la pureza vocal con una excelente precisión, que dió vida a una escena donde el amor triunfó sobre el odio." Celia García, Darnell González, En Platea "The soprano Melody Louledjian, in the fictional role of Charlotte, with her magnificent velvety voice, offered us an impeccable performance; both in voice and in performance. (...) However, the duet between him and Melody was outstanding Louledjian in the role of Bubikopf. The synergy between the two voices was exquisite, as they unified vocal purity with excellent precision, which brought to life a scene where love triumphed over hate. " Celia García, Darnell González, En Platea
Klaus Billand
Opera Online
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