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Tenor

Michael Robert Hendrick

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Michael Robert Hendrick, Tenor
Tenor Michael Robert Hendrick appears on opera stages and concert halls worldwide.
He made his debut at the Metropolitan Opera in New York as Menelas in Die Ägyptische Helena under the direction of Fabio Luisi, followed by numerous engagements at international houses. His repertoire includes the title role Samson und Dalila, Parsifal, Lohengrin, Siegmund in Die Walküre, Don José in Carmen, Erik in Der fliegende Holländer, Florestan in Fidelio, Bacchus in Ariadne auf Naxos and the Tambourmajor in Wozzeck.
In addition to his opera career, Michael Robert Hendrick is at home on concert stages and was honored at the Kennedy Center as Washington National Opera’s 2001 Artist of the Year.
In April 2013 Mr. Hendrick sang with Rome Opera in the title role of Saint-Saëns’ Samson et Dalila, conducted by Charles Dutoit, followed by the title role in Wagner’s Parsifal at the Festival Amazonas de Ópera.
In October of that year, Mr. Hendrick debuted as Erik in Wagner’s Der Fliegende Holländer at the Palacio de Bellas Artes in Mexico City. In 2014 he returned to Sarasota Opera in the same role.
In France he has performed as Paul in Korngold’s Die Tote Stadt on the stage of Opéra National de Lorraine à Nancy.
At Amsterdam’s Concertgebouw he was heard as Midas in Strauss' Die Liebe der Danae with Radio Filharmonisch Orkest Holland unter Edo de Waart and at Washington’s Kennedy Center in the title role of Mozart’s La clemenza di Tito with the National Symphony Orchestra, under Christopher Hogwood. 
His Czech repertoire includes Laca in Janáček’s Jenufa (Teatro Cervantes in Málaga, Spain; Utah Opera and Sarasota Opera) und Zhivny in Jánáčeks Osud (Bard Summerscape Festival in New York, unter der musical direction of Leon Botstein). In the Russian repertoire he has sung as Count Vaudémont in Tchaikovsky’s Iolanta in New York, as Levko in Rimsky-Korsakov’s May Night at Sarasota Opera under Valery Rivkin and as Shuisky in Boris Godunow with the Milwaukee Symphony Orchestra. HIs Hungarian repertoire includes Kodaly’s Psalmus Hungaricus with Detroit Symphony Orchestra conducted by Gennady Rozhdestvensky.
Michael Hendrick has appeared as tenor soloist in Mahler’s Das Lied von der Erde with Orchestre Symphonique de Mulhouse, Festival Amazonas de Ópera (Brazil), Brevard Music Festival, Chautauqua Symphony Orchestra, Pensacola Symphony Orchestra and in a staged production of Christopher Alden in New York City. He has performed Verdi’s Requiem with the National Philharmonic (U.S.), Syracuse Symphony Orchestra, Huntsville Symphony Orchestra with the Amazonas Festival.
Update: 01 May 2015

engelska

Michael Robert Hendrick, Tenor
Der jugendlich dramatische Heldentenor Michael Hendrick tritt gleichsam auf der Operbühne und im Konzertbereich weltweit in Erscheinung.
Er debütierte an der Metropolitan Opera in New York als Menelas in Die Ägyptische Helena unter der Leitung von Fabio Luisi, worauf zahlreiche Engagements an internationalen Häusern folgten.
Sein Repertoire umfasst die Titelrolle in Samson und Dalila, Parsifal, Lohengrin, Siegmund in Die Walküre, Don José in Carmen, Erik in Der fliegende Holländer, Florestan in Fidelio, Bacchus in Ariadne auf Naxos oder den Tambourmajor in Wozzeck.
Neben seiner Operntätigkeit ist Michael Henrick auch im Konzertfach zuhause und wurde unter anderem als Washington National Opera’s 2001 Artist of the Year geehrt.
Im April 2013 sang Hendrick an der Opera di Roma die Titelpartie in Saint-Saëns' Samson et Dalila, unter der Leitung von Charles Dutoit, gefolgt ebenfalls von der Titelpartei in Wagner's Parsifal beim Festival Amazonas de Ópera.
Im Oktober desselben Jahres war Herr Hendrick als Erik in Wagners Der Fliegende Holländer im Palacio de Bellas Artes in Mexico City zu erleben. Im Jahre 2014 kehrte er an die Sarasota Opera in derselben Rolle zurück.
In Frankreich stand er u.a. als Paul in Korngolds Die Tote Stadt an der Opéra National de Lorraine auf der Bühne.
Im Concertgebouw Amsterdam war er als Midas in Strauss' Die Liebe der Danae mit dem Radio Filharmonisch Orkest Holland unter Edo de Waart zu hören und war in Washington im Kennedy Center in der Titelrolle von Mozarts La clemenza di Tito mit dem National Symphony Orchestra unter Christopher Hogwood zu erleben.
Sein tschechisches Repertoire umfasst Laca in Janáceks Jenufa (Teatro Cervantes in Málaga, Spanien; Utah Opera und Sarasota Opera) und Zhivny in Jánáceks Osud (Bard Summerscape Festival in New York, unter der Leitung von Leon Botstein). Im russischen Repertoire hat er Graf Vodémon in Tschaikovskis Iolanta in New York, Levko in Rimsky-Korsakows Mainacht an der Sarasota Opera unter Valery Rivkin und Schuiski in Boris Godunow mit dem Milwaukee Symphony Orchestra gesungen. Sein tschechisches Repertoire umfasst Dvoraks Psalmus Hungaricus (Detroit Symphony Orchestra unter Gennady Rozhdestvensky).
Michael Hendrick hat als Tenor-Solist in Mahlers Das Lied von der Erde mit dem Orchestre Symphonique de Mulhouse, beim Festival Amazonas (Brasilien), beim Brevard Music Festival, mit dem Chautauqua Symphony Orchestra, dem Pensacola Symphony Orchestra und in einer szenischen Produktion von Christopher Alden in New York City aufgeführt. Verdis Requiem führte er mit dem Orchester National Philharmonic, mit dem Syracuse Symphony Orchestra, dem Huntsville Symphony Orchestra und beim Festival Amazonas auf.

tyska

Poznati američki tenor Michael Robert Hendrick debitirao je 1990. godine u newyorškoj Metropolitan operi ulogom Menelaja u Egipatskoj Heleni Richarda Straussa, pod ravnanjem Fabija Luisija. Odmah su uslijedili brojni pozivi najvećih svjetskih opernih kuća te je u 27 godina impresivne karijere ostvario niz glavnih uloga u operama Peter Grimes Brittena, Samson i Dalila Saint-Saënsa, Parsifal i Lohengrin Wagnera, uloge Paula u Korngoldovoj operi Die tote Stadt, Don Joséa u Bizetovoj Carmen, Cania u Leoncavallovim Pagliaccima, Erika u Wagnerovu Ukletom Holandezu, Florestana u Beethovenovu Fideliju, Heroda u Salomi i Bacchusa u Arijadni na Naxosu Richarda Straussa, Mide u Strassovoj Ljubavi Danaje te Drum Majora u Bergovu Wozzecku. Godine 2001., proglašen je umjetnikom godine Washingtonske nacionalne opere za ulogu Lennyja Smalla u Floydovoj operi Of Mice and Men. Gostovao je u Rimskoj operi u naslovnoj ulozi Samsona i Dalile Camillea Saint-Saënsa pod ravnanjem Charlesa Dutoita, u brazilskome Teatro Amazonas u Manausu nastupio je kao Wagnerov Parsifal, u Palacio de Bellas Artes u Ciudad de Méxicu ponovno kao Eric u Wagnerovu Ukletom Holandezu te u Operi Sarasota u SAD-u. U francuskoj Opéra National de Lorraine u Nancyju bio je Paul u Korngoldovoj operi Die tote Stadt, dok je u amsterdamskome Concertgebouwu nastupio kao Mida u Straussovoj Ljubavi Danaje uz Filharmoniju nizozemskog radija pod ravnanjem Ede de Waarta. U washingtonskome Kennedy Centeru nastupio je kao Tito u Mozartovoj La Clemenza di Tito s Američkim nacionalnim simfonijskim orkestrom.
Rado nastupa u slavenskom opernom repertoaru, pjeva na ruskome, češkome, a sada i hrvatskome, a zapažene su njegove uloge Lace u Jenufi i Živnyja u Sudbini Leoša Janáčeka, koje je ostvario u Malagi i Bilbaou u Španjolskoj, u Uti, Sarasoti i New Yorku u SAD-u, kao i uloge Grofa Vaudémonta u Jolanti Čajkovskoga, Levka u Svibanjskoj noći Rimski-Korsakova te Šujskoga u Borisu Godunovu Mosorgskoga. U Psalmus Hungaricus Zoltána Kodályja nastupio je uz Detroitski simfonijski orkestar pod ravnanjem Genadija Roždestvenskija.
Jednako aktivan i na koncertnim pozornicama, Hendrick je nastupio u izvedbama Mahlerove Das klagende Lied sa Španjolskim nacionalnim orkestrom, Londonskom filharmonijom, Rotterdamskom filharmonijom i Philadelphijskim orkestrom te u izvedbama Mahlerove Pjesme o zemlji uz francuski Simfonijski orkestar iz Mulhousea, Simfonijski orkestar iz Chautauque i Simfonijski orkestar iz Pensacole, na Festivalu Brevard Music te u brazilskome Teatro Amazonas. U izvedbi Verdijeva Requiema nastupio je uz Američku nacionalnu filharmoniju, Simfonijski orkestar iz Syracuse, Simfonijski orkestar iz Huntsvillea te na Festivalu Amazonas de Ópera.
Nastup u ulozi Princa u operi Zaljubljen u tri naranče Prokofjeva, prvo je gostovanje ovoga slavnog tenora na sceni Hrvatskoga narodnog kazališta u Zagrebu.

Michael Robert Hendrick

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