Michael Lam

Michael Lam

Baritone
Bio: Praised for a voice of "deliciously deep and rich," (Birmingham Post), Hong Kong baritone Michael Chun Ting Lam trained at the Liszt Ferenc Academy of Music, Hungary. He received his Master of Music in Vocal Performance from Royal Birmingham Conservatoire, where he was awarded the St Clare Barfield Memorial Bowl for Operatic Distinction and Joseph Weingarten Scholarship, and was supported by Opera Hong Kong K Wah International Vocal Scholarship, Foundation for the Arts and Music in Asia Limited (FAMA) Vocal Scholarships and Birmingham Conservatoire Scholarship Fund. Prior to that, he gained his Bachelor of Music from the Hong Kong Academy for Performing Arts, where he received a number of scholarships, including Welsh Male Choir Scholarship, the Bernard van Zuiden Music Fund, Mr Ng Fung Chow Memorial Scholarships, The Hong Kong Children's Choir Chan Ho Choi Memorial Scholarship and Michael Rippon Memorial Scholarship. Passionate about opera, Michael has sung more than 30 operatic roles and performed for opera companies in Asia and Europe in many major theatres and festivals, including Opera Hong Kong, Musica Viva, Winslow Hall Opera, OperaUpClose, Passaggio Oper, Opéra de Baugé and more. His operatic roles include Macbeth(Macbeth), Tonio(Pagliacci), Renato(Un Ballo in Maschera), Rigoletto(Rigoletto), Escamillo(Carmen), Count Almaviva(Le Nozze di Figaro), Figaro(Il barbiere di Siviglia), Don Pasquale(Don Pasquale), The Four Villains(Les Contes d'Hoffmann), Colline(La Bohème), Giorgio Germont(La Traviata), Forester(The Cunning Little Vixen), Bottom(A Midsummer Night's Dream), Sharpless & Bonze(Madama Butterfly), among many others. A fan and advocate of contemporary music, Michael has also created roles in contemporary operas, include the role of Sakyamuni in the world premiere of Anna Vienna Ho’s Buddha and the Monkey King (2020) and The Monk of the River (2021) for Tête à Tête: The Opera Festival. On the concert platform, Michael has appeared as a soloist in Haydn's Nelson Mass (The Really Big Chorus and Hong Kong Police Choir); J.S. Bach's Magnificat in D Major (Hong Kong Oratorio Society); Felix Mendelssohn's Die erste Walpurgisnacht (Hong Kong Oratorio Society); Handel's Messiah (Hong Kong SingFest); J.S. Bach's Magnificat in D Major (Village Voices UK); Faure's Requiem (Chesterfield Co-operative Choral Society); Brahms's Ein deutsches Requiem (The Guild Consort Choir). He has also performed as the baritone soloist in “Another Night at the Opera” concert with Red Earth Opera, and “A Night of Celebration” and “French Connections” concerts with Midland Opera, and “Virtual Voices Opera Gala” concert with Oxford Opera Society. He has also been giving solo recitals regularly, including the one at St Andrew's Church Rugby as part of the Rugby Festival of Culture 2019. Michael was a first-prize winner of numerous international and national singing competitions, including Hong Kong International Music Festival Vocal Competition, International Music Competition 'London' Grand Prize Virtuoso, International Music Competition "Rome", Leamington Spa Competitive Festival, Abergavenny Eisteddfod Y Fenni, Birmingham Conservatoire Singing Prize, Philip Bates Trust Ashleyan Opera Prize, The North International Music Competition, International Music Competition "Таланты XXI века", Quebec International Music Competition, International Music Competition "ИСКУССТВО! ДРУЖБА! МИР!", IYMC Classical Music International Competition, King's Peak International Music Competition, Odin International Music Competition, Swiss International Music Competition, Danubia Talents Liszt International Music Competition and Global Genius Music, to name a few. He has been given the Gil Rodriguez Scholarship Award from Opéra de Baugé for his outstanding contribution to the 2019 Operatic Season.
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Bio: Praised for a voice of "deliciously deep and rich," (Birmingham Post), Hong Kong baritone Michael Chun Ting Lam trained at the Liszt Ferenc Academy of Music, Hungary. He received his Master of Music in Vocal Performance from Royal Birmingham Conservatoire, where he was awarded the St Clare Barfield Memorial Bowl for Operatic Distinction and Joseph Weingarten Scholarship, and was supported by Opera Hong Kong K Wah International Vocal Scholarship, Foundation for the Arts and Music in Asia Limited (FAMA) Vocal Scholarships and Birmingham Conservatoire Scholarship Fund. Prior to that, he gained his Bachelor of Music from the Hong Kong Academy for Performing Arts, where he received a number of scholarships, including Welsh Male Choir Scholarship, the Bernard van Zuiden Music Fund, Mr Ng Fung Chow Memorial Scholarships, The Hong Kong Children's Choir Chan Ho Choi Memorial Scholarship and Michael Rippon Memorial Scholarship. Passionate about opera, Michael has sung more than 30 operatic roles and performed for opera companies in Asia and Europe in many major theatres and festivals, including Opera Hong Kong, Musica Viva, Winslow Hall Opera, OperaUpClose, Passaggio Oper, Opéra de Baugé and more. His operatic roles include Macbeth(Macbeth), Tonio(Pagliacci), Renato(Un Ballo in Maschera), Rigoletto(Rigoletto), Escamillo(Carmen), Count Almaviva(Le Nozze di Figaro), Figaro(Il barbiere di Siviglia), Don Pasquale(Don Pasquale), The Four Villains(Les Contes d'Hoffmann), Colline(La Bohème), Giorgio Germont(La Traviata), Forester(The Cunning Little Vixen), Bottom(A Midsummer Night's Dream), Sharpless & Bonze(Madama Butterfly), among many others. A fan and advocate of contemporary music, Michael has also created roles in contemporary operas, include the role of Sakyamuni in the world premiere of Anna Vienna Ho’s Buddha and the Monkey King (2020) and The Monk of the River (2021) for Tête à Tête: The Opera Festival. On the concert platform, Michael has appeared as a soloist in Haydn's Nelson Mass (The Really Big Chorus and Hong Kong Police Choir); J.S. Bach's Magnificat in D Major (Hong Kong Oratorio Society); Felix Mendelssohn's Die erste Walpurgisnacht (Hong Kong Oratorio Society); Handel's Messiah (Hong Kong SingFest); J.S. Bach's Magnificat in D Major (Village Voices UK); Faure's Requiem (Chesterfield Co-operative Choral Society); Brahms's Ein deutsches Requiem (The Guild Consort Choir). He has also performed as the baritone soloist in “Another Night at the Opera” concert with Red Earth Opera, and “A Night of Celebration” and “French Connections” concerts with Midland Opera, and “Virtual Voices Opera Gala” concert with Oxford Opera Society. He has also been giving solo recitals regularly, including the one at St Andrew's Church Rugby as part of the Rugby Festival of Culture 2019. Michael was a first-prize winner of numerous international and national singing competitions, including Hong Kong International Music Festival Vocal Competition, International Music Competition 'London' Grand Prize Virtuoso, International Music Competition "Rome", Leamington Spa Competitive Festival, Abergavenny Eisteddfod Y Fenni, Birmingham Conservatoire Singing Prize, Philip Bates Trust Ashleyan Opera Prize, The North International Music Competition, International Music Competition "Таланты XXI века", Quebec International Music Competition, International Music Competition "ИСКУССТВО! ДРУЖБА! МИР!", IYMC Classical Music International Competition, King's Peak International Music Competition, Odin International Music Competition, Swiss International Music Competition, Danubia Talents Liszt International Music Competition and Global Genius Music, to name a few. He has been given the Gil Rodriguez Scholarship Award from Opéra de Baugé for his outstanding contribution to the 2019 Operatic Season.
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Repertoire

Composer & WorkRoleProductions
Bizet
CarmenEscamillo1
Donizetti
Don PasqualeDon Pasquale1
Gounod
PolyeucteSextus1
Ho
Buddha and the Monkey KingThe Buddha/Ruanist1

Biography

Michael Lam
Michael Lam
Baritone
Full name: Michael Lam

Images

Reviews

"Michael Lam in the title role... has a lovely voice, baritone merging into bass, which impressed every single time he opened his mouth."
Roderic Dunnett
Behind the arras
"The first appearance on stage of the Hong Kong baritone Michael Chun Ting Lam was indeed thrilling... Lam makes an endearing Figaro, boastful, resourceful, with a wry smile and a big voice that goes very deep and resounds around the hall."
Fanny Charles
Fine Times Recorder

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