Nicholas Carter, Dirigat
Nicholas Carter

Nicholas Carter

Dirigat
Biografie: Now in his final season as Chief Conductor of the Stadttheater Klagenfurt and the Kärntner Sinfonieorchester, Nicholas Carter will take up the Chief Conductor position of the Konzert Theater Bern from the beginning of the 2021/22 season. In addition to his conducting duties there, Nicholas will also assume the role of Opera Director. His tenure in Klagenfurt sees Nicholas leading three new productions per season and appearing regularly in the orchestra’s concert series. His repertoire there has included widely celebrated productions of Tannhäuser, Pelleas et Melisande, Simon Boccanegra, Rusalka, Elektra, and La Clemenza di Tito among others. In recent seasons, Nicholas‘s guest engagements have included the Wiener Staatsoper (Die Fledermaus), return visits to the Radio Symphonieorchester Berlin, Hong Kong Philharmonic, the Dallas Symphony, Orchestre Metropolitain (Montreal) plus invitations to Glyndebourne Opera (Entführung aus dem Serail), the Seoul Philharmonic, Atlanta Symphony and Sydney Symphony, which were all postponed due to the Coronavirus pandemic. Born in Melbourne, Nicholas enjoys an ongoing relationship with all the major Australian orchestras, particularly with the Adelaide Symphony, where he served as Principal Conductor from 2016-2019. After serving as Kapellmeister and musical assistant to Simone Young at the Staatsoper Hamburg, Nicholas was invited in 2014 to take up a Kapellmeister position at the Deutsche Oper Berlin where he worked closely with GMD Donald Runnicles. He enjoys an ongoing relationship with this house and returns this season to conduct Der Fliegende Holländer. The 2021/22 season will see his New York Metropolitan Opera debut with Brett Dean’s Hamlet.
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Biografie: Now in his final season as Chief Conductor of the Stadttheater Klagenfurt and the Kärntner Sinfonieorchester, Nicholas Carter will take up the Chief Conductor position of the Konzert Theater Bern from the beginning of the 2021/22 season. In addition to his conducting duties there, Nicholas will also assume the role of Opera Director. His tenure in Klagenfurt sees Nicholas leading three new productions per season and appearing regularly in the orchestra’s concert series. His repertoire there has included widely celebrated productions of Tannhäuser, Pelleas et Melisande, Simon Boccanegra, Rusalka, Elektra, and La Clemenza di Tito among others. In recent seasons, Nicholas‘s guest engagements have included the Wiener Staatsoper (Die Fledermaus), return visits to the Radio Symphonieorchester Berlin, Hong Kong Philharmonic, the Dallas Symphony, Orchestre Metropolitain (Montreal) plus invitations to Glyndebourne Opera (Entführung aus dem Serail), the Seoul Philharmonic, Atlanta Symphony and Sydney Symphony, which were all postponed due to the Coronavirus pandemic. Born in Melbourne, Nicholas enjoys an ongoing relationship with all the major Australian orchestras, particularly with the Adelaide Symphony, where he served as Principal Conductor from 2016-2019. After serving as Kapellmeister and musical assistant to Simone Young at the Staatsoper Hamburg, Nicholas was invited in 2014 to take up a Kapellmeister position at the Deutsche Oper Berlin where he worked closely with GMD Donald Runnicles. He enjoys an ongoing relationship with this house and returns this season to conduct Der Fliegende Holländer. The 2021/22 season will see his New York Metropolitan Opera debut with Brett Dean’s Hamlet.
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Repertoire

Komponist*in & WerkRolleProduktionen
Bizet
CarmenConductor2
Brahms
Ein deutsches RequiemConductor
Britten
Noye's FluddeConductor1
The Rape of LucretiaConductor1

Biografie

Nicholas Carter
Nicholas Carter
Dirigat
Vollständiger Name: Nicholas Carter

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"Following interval, Carter and WASO returned for final work for the evening, Rachmaninov's massive Symphony No 2 in E Minor, Op 27. Again, no surprises here, with Carte eliciting from the orchestra a radiant, magisterial sound and a fluent inevitability in the gear changes that saw strings, winds and percussion contribute to a sonic portrait that less of the old warhorse about it, more of the handsome mare."
Will Yeoman

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