Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2014 — Inné
Madama Butterfly (Madame Butterfly), Puccini
Fondazione PetruzzelliSuzuki
Féach ar an bhfoireann agus an fhoireannMadama Butterfly (Madame Butterfly), Puccini
Teatro ColónSuzuki
Féach ar an bhfoireann agus an fhoireannSaturday matinée series no. 261, BeethovenGriegFalla
Yomiuri Nippon Symphony OrchestraMezzo-soprano
Féach ar an gclár, an fhoireann agus an fhoireannDon Carlo (Italian version), Verdi
Staatsoper StuttgartLa Principessa Eboli (Princess Eboli)
Féach ar an bhfoireann agus an fhoireannMadama Butterfly (Madame Butterfly), Puccini
Cincinnati OperaSuzuki
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Madama Butterfly (Madame Butterfly), Puccini
Teatro ColónSuzuki
Féach ar an bhfoireann agus an fhoireann
Saturday matinée series no. 261, BeethovenGriegFalla
Yomiuri Nippon Symphony OrchestraMezzo-soprano
Féach ar an gclár, an fhoireann agus an fhoireann
Don Carlo (Italian version), Verdi
Staatsoper StuttgartLa Principessa Eboli (Princess Eboli)
Féach ar an bhfoireann agus an fhoireann
Madama Butterfly (Madame Butterfly), Puccini
Cincinnati OperaSuzuki
Féach ar an bhfoireann agus an fhoireann
Léirithe le Teacht
4Madama Butterfly (Madame Butterfly), Puccini
Pittsburgh OperaSuzuki
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
NOZOMI KATO mezzo-soprano Japanese mezzo-soprano Nozomi Kato is currently based in Valencia, and is rapidly making a name for herself both in Europe and in Japan. Most recently, she made her role debut as Carmen in Yokohama’s Kanagawa Kenmin Hall, conducted by Jan Latham-Koenig. Based in Europe since 2013, She made her debut in Italy in 2014 as Clarina in Rossini’s La cambiale di matrimonio at Teatro Regio di Parma. Further appearances in Italy include Suzuki in Madama Butterfly at Teatro Magnani in Fidenza (2015) and Teatro Municipale di Piacenza (2016), Enrichetta in I Puritani (2017), Siébel in Faust (2018), Bersi in Andrea Chenier (2019) in Modena. In 2016, she took part in Accademia del Belcanto of the Festival della Valle d’Itria, where she was selected to sing Ismene in Mayr’s Med
