Philippe-Nicolas Martin

Philippe-Nicolas Martin

Baritone
Bio: After musicology studies, Philippe-Nicolas Martin achieves his training at the Marseille CNIPAL (post graduate opera training centre).   On operatic stages he performs parts like Albert/Werther (Nancy), Guglielmo/Cosí fan tutte (Bulgaria, Beirut), Belcore/L'Elisir d’Amore (Malta, Nice & Avignon), Marcello/La Bohème (Avignon), Harlekin/Ariadne auf Naxos (Toulouse), Don Fernando/Fidelio, Marullo/Rigoletto & Taddeo/Italiana in Algeri (Rennes), Papageno/Magic Flute (Opéra en plein air, Nancy), the Clock & the Cat/The Child and the Spells (Aix-en-Provence Festival production in Bahreïn, Limoges), Dialogues des Carmélites (Angers, Nantes), Der Heerrufer des Königs/Lohengrin (Angers, Nantes, Saint-Etienne), Octave/Les Caprices de Marianne by Sauguet (French tour), Sganarelle/Le Médecin malgré lui (Saint-Etienne), the Forester/The cunning little Vixen (French tour), The Prince of Mantua/Fantasio by Offenbach (Rouen), Silvano/Un Ballo in Maschera (Nancy & Luxembourg), the Father/Coraline by Turnage (French creation in Lille), Landry/Fortunio (Paris Opéra Comique), Mercutio/Roméo et Juliette (Bordeaux)   In the baroque repertoire he is invited for Jupiter/Platée (Budapest), Belus & a Warrior/The Temple of Glory (San Francisco), Thésée/The loving Stepmother – a parody of Hippolyte and Aricie (tour with the Versailles Baroque Music Center), Palémon/Naïs (Budapest) by Rameau, the Discord/ Galant Europe by Campra (Potsdam-Sanssouci Festival & Prag), The Fairy Queen by Purcell (Hardelot Festival), Armide by Lully (tour with Le Concert Spirituel).   His concert repertoire includes pieces like Brahms ein Deutsches Requiem, the Fauré & Campra Requiems, L'Oiseau a vu tout cela by Sauguet, Berlioz Messe Solennelle, Orff Carmina Burana, Beethoven 9th Symphony, Honegger Jeanne au Bûcher, Berlioz Les Nuits d'Eté as well as the revivals of rare pieces like Uthal by Méhul, Proserpine by Saint-Saëns, Horaces and Tarare by Salieri, Hypermnestre by Gervais, Maître Péronilla by Offenbach. Due to the Covid pandemic his participation to Starek/Jenufa (Toulouse), Ping/Turandot (Lille), the concerts of Ramiro/L’Heure espagnole (Kawice - Poland), Silène/Bacchus (Radio-France Occitanie & Montpellier Festival), Djamileh (Tours), Zurga/The Pearls Fishers (Saint-Etienne), Danilo/Die lustige Witwe (Avignon), Un Satyre/Cithéron in Platée with the Philharmonia Baroque Orchestra (Berkeley & New-York) have been cancelled.. 2020-21, he is invited for a concert (Saint-Etienne), and for an audiovisual recording of Les Enfants du Levant (Lyon Opera), Among his projects : Djamileh (Tours, Tourcoing, recording) ; Romeo et Juliette (Paris Opéra Comique), The Child and the Spells (Lille), Fortunio (Nancy), etc.
...More
Bio: After musicology studies, Philippe-Nicolas Martin achieves his training at the Marseille CNIPAL (post graduate opera training centre).   On operatic stages he performs parts like Albert/Werther (Nancy), Guglielmo/Cosí fan tutte (Bulgaria, Beirut), Belcore/L'Elisir d’Amore (Malta, Nice & Avignon), Marcello/La Bohème (Avignon), Harlekin/Ariadne auf Naxos (Toulouse), Don Fernando/Fidelio, Marullo/Rigoletto & Taddeo/Italiana in Algeri (Rennes), Papageno/Magic Flute (Opéra en plein air, Nancy), the Clock & the Cat/The Child and the Spells (Aix-en-Provence Festival production in Bahreïn, Limoges), Dialogues des Carmélites (Angers, Nantes), Der Heerrufer des Königs/Lohengrin (Angers, Nantes, Saint-Etienne), Octave/Les Caprices de Marianne by Sauguet (French tour), Sganarelle/Le Médecin malgré lui (Saint-Etienne), the Forester/The cunning little Vixen (French tour), The Prince of Mantua/Fantasio by Offenbach (Rouen), Silvano/Un Ballo in Maschera (Nancy & Luxembourg), the Father/Coraline by Turnage (French creation in Lille), Landry/Fortunio (Paris Opéra Comique), Mercutio/Roméo et Juliette (Bordeaux)   In the baroque repertoire he is invited for Jupiter/Platée (Budapest), Belus & a Warrior/The Temple of Glory (San Francisco), Thésée/The loving Stepmother – a parody of Hippolyte and Aricie (tour with the Versailles Baroque Music Center), Palémon/Naïs (Budapest) by Rameau, the Discord/ Galant Europe by Campra (Potsdam-Sanssouci Festival & Prag), The Fairy Queen by Purcell (Hardelot Festival), Armide by Lully (tour with Le Concert Spirituel).   His concert repertoire includes pieces like Brahms ein Deutsches Requiem, the Fauré & Campra Requiems, L'Oiseau a vu tout cela by Sauguet, Berlioz Messe Solennelle, Orff Carmina Burana, Beethoven 9th Symphony, Honegger Jeanne au Bûcher, Berlioz Les Nuits d'Eté as well as the revivals of rare pieces like Uthal by Méhul, Proserpine by Saint-Saëns, Horaces and Tarare by Salieri, Hypermnestre by Gervais, Maître Péronilla by Offenbach. Due to the Covid pandemic his participation to Starek/Jenufa (Toulouse), Ping/Turandot (Lille), the concerts of Ramiro/L’Heure espagnole (Kawice - Poland), Silène/Bacchus (Radio-France Occitanie & Montpellier Festival), Djamileh (Tours), Zurga/The Pearls Fishers (Saint-Etienne), Danilo/Die lustige Witwe (Avignon), Un Satyre/Cithéron in Platée with the Philharmonia Baroque Orchestra (Berkeley & New-York) have been cancelled.. 2020-21, he is invited for a concert (Saint-Etienne), and for an audiovisual recording of Les Enfants du Levant (Lyon Opera), Among his projects : Djamileh (Tours, Tourcoing, recording) ; Romeo et Juliette (Paris Opéra Comique), The Child and the Spells (Lille), Fortunio (Nancy), etc.
...More

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Repertoire

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Composer & WorkRoleProductions
Beethoven
FidelioDon Fernando1
Berlioz
Les nuits d'étéBaryton1
Bizet
CarmenMoralès6
Les Pêcheurs de perlesZurga

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Philippe-Nicolas Martin
Philippe-Nicolas Martin
Baritone
Full name: Philippe-Nicolas Martin

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