Représentations à venir À partir d'aujourd'hui
Performances passées 2014 – Hier
Seiji Ozawa Music Academy Opera Project XX | Così fan tutte, Mozart
Seiji Ozawa Music Academy OrchestraFerrando
Voir la distribution et l'équipeLa Cenerentola (Cendrillon), Rossini
Fondazione Rete Lirica delle MarcheDon Ramiro
Voir la distribution et l'équipeLe Postillon de Lonjumeau, Adam
Tiroler Festspiele ErlChapelou (Chappelou)
Voir la distribution et l'équipe-
Il viaggio a Reims (Le voyage à Reims), Rossini
Rossini Opera FestivalIl Conte di Libenskof (Le Comte Libenskof)
Voir la distribution et l'équipeSeiji Ozawa Music Academy Opera Project XX | Così fan tutte, Mozart
Seiji Ozawa Music Academy OrchestraFerrando
Voir la distribution et l'équipeLa Cenerentola (Cendrillon), Rossini
Fondazione Rete Lirica delle MarcheDon Ramiro
Voir la distribution et l'équipeCantata in onore del Sommo Pontefice Pio IX, Rossini
Rossini Opera FestivalL'amor pubblico
Voir la distribution et l'équipeLa Cenerentola (Cendrillon), Rossini
Teatro Municipal de LimaDon Ramiro
Voir la distribution et l'équipeL'equivoco stravagante (L'équivoque extravagante), Rossini
Rossini Opera FestivalErmanno
Voir la distribution et l'équipeLa Cenerentola (Cendrillon), Rossini
Fondazione Arena di VeronaDon Ramiro
Voir la distribution et l'équipeYoung Sicilian tenor Pietro Adaíni studied singing and music with baritone Salvo Todaro and has attended masterclasses with notable tenor Marcello Giordani. He currently studies under renowned bel canto tenor Salvatore Fisichella. He was a finalist in the 2011-12 international singing competition Voci dal Mediterraneo – Premio Archimede in Syracuse, and in 2014 was awarded a scholarship at Teatro Carlo Felice in Genoa, where he debuted in the roles of Rodolfo La Bohème and Nemorino L’elisir d’amore. Pietro quickly began establishing himself on the operatic stage in Italy, attending the ‘Gran Prix of the Opera’ in Parma, performing as the tenor soloist in Puccini’s ‘Messa di Gloria’ in Cagliari, and appearing as Beppe and Arlecchino in Leoncavallo’s Pagliacci at the Sferisterio Macerata Op