Sarah Hutchings, Composer
Sarah Hutchings

Sarah Hutchings

Composer
Bio: Sarah Hutchings was previously Composer in Residence with the Washington National Opera’s American Opera Initiative program, and Composer Fellow at the John Duffy Institute. She previously apprenticed composer Ricky Ian Gordon while assisting the workshop of Gordon’s opera, Morning Star, as part of the Opera Fusion program at Cincinnati Opera. She has also apprenticed composer Carlisle Floyd during his residency at the University of Cincinnati. The Washington Post has hailed her music as an “appealing…sinuous” musical flavor, with works that capture drama and poetry, and sounds that color outside the lines. Fascinated by the use of aural color in all of her works, she gravitates to creative projects that are graphic, uninhibited, or evoke physicality. Sarah Hutchings is based in New York City and Miami with a baritone and a cat.
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Bio: Sarah Hutchings was previously Composer in Residence with the Washington National Opera’s American Opera Initiative program, and Composer Fellow at the John Duffy Institute. She previously apprenticed composer Ricky Ian Gordon while assisting the workshop of Gordon’s opera, Morning Star, as part of the Opera Fusion program at Cincinnati Opera. She has also apprenticed composer Carlisle Floyd during his residency at the University of Cincinnati. The Washington Post has hailed her music as an “appealing…sinuous” musical flavor, with works that capture drama and poetry, and sounds that color outside the lines. Fascinated by the use of aural color in all of her works, she gravitates to creative projects that are graphic, uninhibited, or evoke physicality. Sarah Hutchings is based in New York City and Miami with a baritone and a cat.
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Repertoire

Composer & WorkRoleProductions
Haydn
Il mondo della lunaStage director1
Hutchings
Twenty Minutes or LessComposer1
Vestige of a WomanComposer1
Händel
Acis and GalateaStage director1

Biography

Sarah Hutchings
Sarah Hutchings
Composer
Full name: Sarah Hutchings
Citizenship: United States

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Reviews

Sarah Hutchings has written a lilting, cinematic and playful score.
Jessica Vaughan
“Sarah’s setting captures [the poem] with wit and grace, from the rhythmic opening figure to the bold refrain. An ode is traditionally a poem of praise—and here’s one that has found a fit subject and a new musical voice.”
The Cincinnati Review

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