Stefan Vinke, Tenor
Stefan Vinke

Stefan Vinke

Tenor
Biografía: German Heldentenor, Stefan Vinke, studied as a church musician at the Cologne College of Music before beginning his professional singing career in Karlsruhe and Mönchengladbach. In 1999 he was awarded the position of ‘Young Heroic Tenor’ at the Nationaltheather Mannheim where in 2000 he was voted ‘Male Newcomer of the Year’ by Opernwelt magazine. Globally renowned as an interpreter of Wagner’s great tenor roles, he has sung the title roles of Tristan, Siegfried, Tannhäuser, Parsifal, Lohengrin, Rienzi, also Siegmund/Die Walküre, Siegfried/Götterdammerung, Erik/Der Fliegende Holländer, and Walther von Stolzing/Die Meistersinger von Nürnberg. His numerous Ring cycle appearances include the Royal Opera House, Covent Garden with Sir Antonio Pappano, the Metropolitan Opera, New York with Philippe Jordan, Wiener Staatsoper and Bayerische Staatsoper under Kiril Petrenko and Deutsche Oper with Donald Runnicles. He has also sung the title role of Idomeneo, Florestan/Fidelio, Bacchus/Ariadne, Paul/Die tote Stadt, Alviano/Die Gezeichneten, and Jim Mahony/Aufsteig und Fall der Stadt Mahagonny in the theatres of Berlin, Hamburg, Cologne, Leipzig, Stuttgart, Munich, Paris, Montpellier, Lisbon, Barcelona, Venice, Madrid, Melbourne, Bejing, Geneva, Chicago, Seattle, Hong Kong, Sydney, and at the Salzburg Festival. His most recent performances of Tristan at the 2019 Bayreuth Festival with Christian Thielemann, and Siegfried /Siegfried and Götterdämmerung at the Müpa in Budapest with Adam Fischer were highly acclaimed. His opera performances continue with Tristan in Bologna, Athens and Karlsruhe and his first Kaiser/Die Frau ohne Schatten in Leipzig. A distinguished concert artist, his orchestral engagements this season include Beethoven’s ‘Christus am Ölberg’ in Frankfurt and Glanert’s ‘Requiem für Hieronymous Bosch’ with Semyon Bychkov and the Czech Philharmonic.
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Biografía: German Heldentenor, Stefan Vinke, studied as a church musician at the Cologne College of Music before beginning his professional singing career in Karlsruhe and Mönchengladbach. In 1999 he was awarded the position of ‘Young Heroic Tenor’ at the Nationaltheather Mannheim where in 2000 he was voted ‘Male Newcomer of the Year’ by Opernwelt magazine. Globally renowned as an interpreter of Wagner’s great tenor roles, he has sung the title roles of Tristan, Siegfried, Tannhäuser, Parsifal, Lohengrin, Rienzi, also Siegmund/Die Walküre, Siegfried/Götterdammerung, Erik/Der Fliegende Holländer, and Walther von Stolzing/Die Meistersinger von Nürnberg. His numerous Ring cycle appearances include the Royal Opera House, Covent Garden with Sir Antonio Pappano, the Metropolitan Opera, New York with Philippe Jordan, Wiener Staatsoper and Bayerische Staatsoper under Kiril Petrenko and Deutsche Oper with Donald Runnicles. He has also sung the title role of Idomeneo, Florestan/Fidelio, Bacchus/Ariadne, Paul/Die tote Stadt, Alviano/Die Gezeichneten, and Jim Mahony/Aufsteig und Fall der Stadt Mahagonny in the theatres of Berlin, Hamburg, Cologne, Leipzig, Stuttgart, Munich, Paris, Montpellier, Lisbon, Barcelona, Venice, Madrid, Melbourne, Bejing, Geneva, Chicago, Seattle, Hong Kong, Sydney, and at the Salzburg Festival. His most recent performances of Tristan at the 2019 Bayreuth Festival with Christian Thielemann, and Siegfried /Siegfried and Götterdämmerung at the Müpa in Budapest with Adam Fischer were highly acclaimed. His opera performances continue with Tristan in Bologna, Athens and Karlsruhe and his first Kaiser/Die Frau ohne Schatten in Leipzig. A distinguished concert artist, his orchestral engagements this season include Beethoven’s ‘Christus am Ölberg’ in Frankfurt and Glanert’s ‘Requiem für Hieronymous Bosch’ with Semyon Bychkov and the Czech Philharmonic.
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Repertorio

Compositor & obraPapelProducciones
Beethoven
FidelioFlorestan1
Berg
WozzeckTambourmajor3
Bizet
CarmenDon José4
Giordano
Andrea ChénierAndrea Chénier1

Biografía

Stefan Vinke
Stefan Vinke
Tenor
Nombre completo: Stefan Vinke

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Stefan Vinke is an irrepressible Siegfried who bounces onto the stage and whose voice is unequalled in its comfort at sustained high tessitura, even when wound up to full power. I don’t think there’s another tenor in the world who can hit the levels Vinke does and make it sound so casual: his encounter with the Rhinemaidens, in which Siegfried narrowly misses saving the world without having any idea what he’s doing, was acted hugely entertainingly as well as sounding wonderful in its blend of voices.
David Karlin

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