Stefano de Peppo

"De Peppo captures the contrast of Uberto’s gruff complaints and submissive resignation to his servant-mistress first in “Sempre in contrasti,” where he talks a good game of standing up to Serpina’s constant arguments. Supremely confident and sure of voice, De Peppo keeps all eyes on himself with clear gestures highlighting his intent. His deeply resonant bass-baritone voice is as captivating and agile as his movement."

Gayle Williams