Frammistaða áskriftir
Næstu sýningar Í dag áfram
Fyrri sýningar 2006 — Í gær
Tokyo Spring Festival Choral Art Series vol.11, Wagner, RichardBruckner
Tokyo Metropolitan Symphony OrchestraTenor
Skoða dagskrá, leikarahóp og mannskapBruckner "Mass No.3", Wagner, RichardBruckner
Spring Festival in TokyoSoloist + 1 hlutverk
Skoða dagskrá, leikarahóp og mannskapWagner 'Der Ring des Nibelungen' Gala Concert, Wagner, Richard
Spring Festival in TokyoLoge + 2 hlutverk
Skoða dagskrá, leikarahóp og mannskap-
Die Frau ohne Schatten (The Woman without a Shadow), Strauss
Opéra de LyonDer Kaiser (The Emperor)
Skoða leikara og mannskapSýndar fyrri sýningar
Tokyo Spring Festival Choral Art Series vol.11, Wagner, RichardBruckner
Tokyo Metropolitan Symphony OrchestraTenor
Skoða dagskrá, leikarahóp og mannskapWagner 'Der Ring des Nibelungen' Gala Concert, Wagner, Richard
Spring Festival in TokyoLoge + 2 hlutverk
Skoða dagskrá, leikarahóp og mannskap
-
Die Frau ohne Schatten (The Woman without a Shadow), Strauss
Opéra de LyonDer Kaiser (The Emperor)
Skoða leikara og mannskapNæstu sýningar
14Lady Macbeth von Mzensk, Shostakovich
Staatsoper HamburgZinovyi (Zinovy Borisovich Izmailov)
Skoða leikara og mannskapDie tote Stadt (The Dead City), Korngold
Bergen National OperaPaul
Skoða leikara og mannskaplau18:00
Bergen, Norwaymán19:00
Bergen, Norwaymið19:00
Bergen, Norway
Æviágrip
The Munich tenor Vincent Wolfsteiner came to sing late. After graduating from high school and studying law, he went to England to study sound engineering through an assistant in radio. After graduating, he worked as technical manager of a Munich radio station and as studio manager of a Munich recording studio. In 2000 he moved to the United States in Boston, where he took his first private lessons in singing from William Cotten at the New England Conservatory at the age of 35. Almost a year and a half later he was already on the stage of the Grantite State Opera in New Hampshire with his first professional leading role - the Rodolfo in La Bohème. After that, his career continued to develop, first in the Spinto, then at home in the dramatic field. Roles such as Don José, Turiddu, Coraddo in
