Thus, between the wealth of physical comedy of dalliance and Pallavicino’s abundance of engaging music, the duration of the entire program proceeded at a spirited clip, resulting in an audience leaving the ODC Theater in high spirits.
Ars Minerva’s Messalina was steamy, tuneful, and above all imaginative
A San Francisco troupe is spicing up forgotten baroque operas
This was an elaborately choreographed Ifigenia in Aulide, one that held our attention and emphasized the Greek notion of Nemesis.