Jesus Christ Superstar by Lloyd Webber, Noiztik (2022/2022), Zuzendaria Máté Szabó, Zuzendaria Ádám Cser, Miskolc National Theatre, Miskolc, Hungary

I must have been seven years old when my father took me to the cinema on a whim. Petrocelli was on TV, so I wasn't so happy. Then, at the beginning of the film, the guitar played, a bus with the actors approached from a distance, and these lightly theatrical desert conditions drew me into the 2,000+ years of obscurity, but still aroused eternal interest, in such a way that I looked at the world as a completely different person on the way home in a blue In Trabant, 1984. It is now 2022. The world has changed - and so have I. Petrocelli is not even shown on TV anymore. I wonder what is happening with this strange story today? What is the role of everything today, referring to which we commit crimes every day with hammer and nails in hand, if someone really walks on the water, we don't even notice it anymore, we only take a few pictures of him with our phones. The Passion is a story of suffering, but at the same time, in Andrew Lloyd Webber's work, we get to know the story of a passion through which the outside observer will inevitably become a part of and thereby benefit from all the musical inspiration, the basis of which we all have a hand in. Passing by a stone cross on the side of the road, in the church, in our dreams, in front of a painting in a museum, or if we just open our hands and face the world, an opportunity will inevitably confront us , but we only look at it from the outside instead of becoming a part of it. It's not easy. The world gives us hammer and nails. Sometimes a theater ticket... (Máté Szabó, director)