Name: Moscow, Cheryomushki, Op.105
Start: 2022-09-23T00:00:00.000Z
End: 2022-10-30T00:00:00.000Z
Location: Samara Academic Theatre of Opera and Ballet

Organization

Shostakovich. XX century

Conductor

Evgeny Khokhlov

Stage director

Mikhail Pandzhavidze

Set designer

Alexander Kostyuchenko

Alexander Pyryalin

Costume designer

Elena Solovyova

Lighting designer

Emil Avramenko

Video designer

Harry Hummel

Chorus master

Maxim Pozhidaev

Choreographer

Yuliana Malkhasyants

Alisher Babaev

Assistant Director

Oxana Shtanina

Repetiteur

Daria Kazeeva

Samara Academic Theatre of Opera and Ballet

러시아어

Moscow, Cheryomushki, Op.105

Samara

Russia

Cheryomushki, Op.105 Shostakovich

Public

Private

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Dancer

Actor

Dramaturge

Translator

Sound designer

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Soprano

Singer

Bass-baritone

Countertenor

Baritone

Mezzo-soprano

Tenor

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Cheryomushki, Op.105

Although Dmitri Shostakovich, whose name our theater now bears, did not write anything especially for the Kuibyshev Opera and Ballet Theatre, but it was in Kuibyshev that he finished his legendary Seventh ("Leningrad") Symphony and listened to its first performance in the hall of our theater. Shostakovich is well known as a musician who wrote serious tragic works. But few people know that the most important Russian composer of the 20th century did not hesitate to love the light genre - operetta, gypsy singing, jazz.

The plot of the only operetta that Shostakovich composed - Moscow, Cheryomushki - was proposed to the composer in 1958 by Vladimir Mass and Mikhail Chervinsky. Shostakovich agreed and accompanied the everyday, but adventurous plot with bright, memorable music. The Moscow premiere was followed by performances in Rostov-on-Don, Odessa, Sverdlovsk, Bratislava, Prague, Magadan, Zagreb, various cities of the GDR and Czechoslovakia. And two years later, on the basis of the operetta, the film "Cheryomushki" (directed by Herbert Rappaport) was shot.

The main theme of the operetta echoes the national history of the 1950s-60s. It tells about the large-scale relocation of Muscovites from communal apartments to separate, private apartments in new buildings. It does not do without funny and touching situations that accompany this "great migration".

English

Пусть Дмитрий Шостакович, чье имя теперь носит наш театр, и не писал ничего специально для Куйбышевского театра оперы и балета, но именно в Куйбышеве закончил свою легендарную Седьмую («Ленинградскую») симфонию и слушал ее первое исполнение в зале нашего театра. Шостакович хорошо известен как музыкант, писавший серьезные трагические произведения. Но мало кто знает, что важнейший российский композитор XX века не стеснялся любви к легкому жанру – оперетте, цыганскому пению, джазу.

Сюжет единственной оперетты, которую сочинил Шостакович – «Москва, Черемушки», – композитору предложили в 1958 году Владимир Масс и Михаил Червинский. Шостакович согласился и сопроводил бытовой, но авантюрный сюжет яркой, запоминающейся музыкой. За московской премьерой последовали спектакли в Ростове-на-Дону, Одессе, Свердловске, Братиславе, Праге, Магадане, Загребе, разных городах ГДР и Чехословакии. А через два года на основе оперетты был снят фильм «Черёмушки» (режиссер Герберт Раппапорт).

Основная тема оперетты перекликается с отечественной историей 1950-х–60-х годов. В ней рассказывается о масштабном переезде москвичей из коммунальных квартир в отдельные, собственные в новостройках. Не обходится и без смешных и трогательных ситуаций, сопутствующих этому «великому переселению».

русский

Moscow, Cheryomushki, Op.105 by Shostakovich, 에서 (2022/2022), 감독 Mikhail Pandzhavidze,, 지휘자 Evgeny Khokhlov, Alisher Babaev, Samara Academic Theatre of Opera and Ballet, Samara, Russia

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