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Jack, intre dragoste și nebunie Mecchi

Jack, intre dragoste și nebunie Diego Mecchi, Teatrul Național de Operetă și Musical "Ion Dacian"

Jack, intre dragoste și nebunie, Mecchi
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National Operetta and Musical Theater "Ion Dacian" Bucharest (2022/23)
Protagonitzada:
Florin Budnaru,
George Vîrban,
Gabriela Daha,
Mediana Vlad,
Anton Zidaru,
Adrian Nour,
Cătălin Petrescu,
Ganea Florin,
Miruna Dascălu,
Daniel Găină Cojuharov,
Dumitru Filip,
Andrei Pleșca,
Ioana Băiașiu,
Alexandru Vasile,
Arnold Mack,
Marius Meragiu,
Răzvan Rusu,
Alin Țintea,
Mihăiță Radu,
Alois Doboș,
Bogdan Ardeleanu,
George Matei,
Alexandru Onea,
Cătălin Cocheș,
Lorendi Rădulescu,
Octavian Stefanescu,
Marian Chirazi,
Cristina Osiceanu,
Sabina Ioniță,
Cristina Popa,
Ana-Maria Racu,
Aurelia Tudor,
Camelia Ghiță,
Eugenia Stoian,
Andreea Bârzescu,
Carmen Anghel,
Ana Maria Moldoveanu,
Cristina Cojocaru,
Cătălin Cocheș,
Lorendi Rădulescu,
Octavian Stefanescu,
Sabina Ioniță,
Oana Vâlceanu,
Camelia Ghiță,
Alexandra Borîia,
Eugenia Stoian,
Gabriela Pojoreanu,
Andreea Bârzescu,
Maria Rogojan,
Luminița Florescu,
Marian Chirazi,
Mircea Crăciun,
Andrei Ciobanu,
Vlad Țențu,
Daniel Dobrev,
Ștefan Băloi,
Mircea Crăciun,
Andrei Ciobanu,
Sabina Ioniță,
Vlad Țențu,
Daniel Dobrev,
Oana Vâlceanu,
Camelia Ghiță,
Alexandra Borîia,
Eugenia Stoian,
Gabriela Pojoreanu,
Ștefan Băloi,
Andreea Bârzescu,
Maria Rogojan,
Marian Chirazi,
Mircea Crăciun,
Andrei Ciobanu,
Sabina Ioniță,
Vlad Țențu,
Daniel Dobrev,
Oana Vâlceanu,
Camelia Ghiță,
Alexandra Borîia,
Eugenia Stoian,
Ștefan Băloi,
Andreea Bârzescu,
Maria Rogojan,
Marian Chirazi,
Sabina Ioniță,
Vlad Țențu,
Daniel Dobrev,
Camelia Ghiță,
Ștefan Băloi,
Andreea Bârzescu,
Maria Rogojan,
Marius Meragiu,
Răzvan Rusu,
Mihăiță Radu,
Bogdan Ardeleanu,
Alexandru Vasile,
George Matei,
Arnold Mack,
Alin Țintea,
Alexandru Onea,
Alois Doboș,
Carmen Angheloiu,
Cristina Popa,
Irina Onea,
Ioana Băiașiu,
Cristina Georgescu,
Corina Plopeanu,
Ana-Maria Racu,
Aurelia Tudor,
Carmen Anghel,
Ana Maria Moldoveanu,
Cristina Cojocaru,
Marian Chirazi,
Mircea Crăciun,
Andrei Ciobanu,
Sabina Ioniță,
Vlad Țențu,
Daniel Dobrev,
Oana Vâlceanu,
Camelia Ghiță,
Marina Stanciu,
Alexandra Borîia,
Eugenia Stoian,
Gabriela Pojoreanu,
Ștefan Băloi,
Andreea Bârzescu,
Maria Rogojan,
Luminița Florescu,
Eugenia Stoian,
Carmen Anghel,
Cristina Georgescu,
Sabina Ioniță,
Luminița Florescu
01 Octubre - 14 Maig 2022/23 (7 representacions)
Visiteu el lloc web
Teatrul Național de Operetă și Musical "Ion Dacian", Bucharest, Romania
Informació de l'organització artística (verificada per Operabase)

Jack, intre dragoste și nebunie by Mecchi, De (2022/2023), Dirigit per Andrei Munteanu, Director musical Constantin Adrian Grigore, Alexandru Ilie, Teatrul Național de Operetă și Musical "Ion Dacian", Bucharest, Romania

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Jack, intre dragoste și nebunie, Mecchi
MusicalStaged
Jack Madness and Love is a two-act musical, written by Diego Mecchi, based on the novel “Jack Madness and Love: The Conflicts of a Serial Murderer” based on the story of the famous serial killer Jack the Ripper. The story of the musical brings to the fore a unique history but also a possible version of the famous story that shook Victorian England and continues to dominate British urban mythology. The question of who Jack the Ripper was and what the motives for his crimes were – has plagued European society for more than a century. Based on the many variations of Jack’s story, the musical tries to formulate a new possible but also plausible explanation of the events. The author appeals to a series of Freudian justifications by transposing into the language of the musical genre the turmoil of an alienated mind. The conflict is also fuelled by a love story and numerous intrigues by a detective – all culminating in scenes of madness and real psychotic tumult. Written in the manner of a postmodern musical, Jack Madness and Love, still retains a series of classical procedures based on the acting qualities of the performers, appealing to the richness of the specific means of expression of musical theatre artists and offering the audience a wide range of dramatic impressions. The story of Jack the Ripper, transposed and rethought in an original way, becomes a plausible pretext for a crossover musical work in which the processes of rock music are transfigured with the help of the belcanto technique into a work that cuts Jack’s story as a deep personal confession of the author.
Sobre la informació està disponible a: English, română

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