Name: 7. Symphoniekonzert
Start: 2024-03-02T00:00:00.000Z
End: 2024-03-04T00:00:00.000Z
Location: Semperoper

Organization

Conductor

Jakub Hrůša

Instrumentalist

Augustin Hadelich

Violin

Semperoper Dresden

Orchestra

Staatskapelle Dresden

7. Symphoniekonzert

Dresden

Germany

Semperoper

7. Symphoniekonzert: Violin Concerto No.2, Sz.112 Bartók (+2 More)

Public

Violin Concerto No.2, Sz.112

Nocturne in B major, Op. 40

Symphony No.3 "Liturgique", H. 186

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Singer

Tenor

Contralto

Countertenor

Soprano

Baritone

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Ungewöhnlich lange, fast zwei Jahre, schrieb Béla Bartók an seinem Zweiten Violinkonzert. Der Grund dafür lag im Auftrag: Als Zoltán Székely im Sommer 1936 das Werk erbat, wollte Bartók eine einsätzige Variationenfolge schreiben, während sich der Geiger ein eher konventionelles dreisätziges Stück wünschte. Der Kompromiss zwischen beiden Ideen ist die Basis für eines der größten Solokonzerte des 20. Jahrhunderts: In seiner melodischen Sattheit und Virtuosität in der romantischen Tradition stehend, findet es zugleich in einer eigenen, durchaus gegensätzlichen Sprache neue Wege.

Konzerteinführung jeweils 45 Minuten vor Beginn im Opernkeller der Semperoper.

Deutsch

Béla Bartók wrote his Second Violin Concerto for an unusually long time, almost two years. The reason for this lay in the commission: when Zoltán Székely requested the work in the summer of 1936, Bartók wanted to write a one-movement set of variations, while the violinist wanted a more conventional three-movement piece. The compromise between the two ideas is the basis for one of the greatest solo concertos of the 20th century: standing in the romantic tradition in its melodic richness and virtuosity, it at the same time finds new paths in its own, quite contradictory language.

Introduction to the concert 45 minutes before the start in the opera cellar of the Semperoper.

English

7. Symphoniekonzert by Bartók, Dvořák, Honegger, Aπό (2024/2024), αγωγός Jakub Hrůša, Semperoper, Dresden, Germany

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