Name: Abonnementkonzert II (Subscription Concert II)
Start: 2018-11-12T00:00:00.000Z
End: 2018-11-13T00:00:00.000Z
Location: Staatsoper Unter den Linden

Organization

Maestro

Simon Rattle

Mestre de Coro

Petr Fiala

Cantor

Soprano

Iwona Sobotka

Contralto

Anna Lapkovskaja

Alto

Tenor

Simon O'Neill

Baixo

Jan Martinik

Instrumentista

Christian Schmitt

State Opera Berlin

Orchestra

Staatskapelle Berlin

Others

Chœur Philharmonique Tchèque de Brno

Abonnementkonzert II (Subscription Concert II)

Berlim

Alemanha

Staatsoper Unter den Linden

Public

Concerto

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Cenógrafo

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Iluminação

Designer de Som

Designer de Vídeo

Diretor de Palco

Dramaturgo

Estilista

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contratenor

Barítono

Mezzo-soprano

Baixo-barítono

Continuo

Silent

Spoken

Vocalista Infantil

Es gibt nicht allzu viele Messvertonungen, die mit einer ganz irdisch zugewandten Haydn-Sinfonie zusammenpassen. Leoš Janáčeks »Glagolitische Messe« verhält sich jedoch wie kaum eine andere Messe: Weihevolle, gottgefällige Klangwelten in der Tradition Bach’scher Kirchenmusik lagen dem mährischen Komponisten nämlich denkbar fern. So entstand nicht nur eine Messvertonung in einer außergewöhnlichen Sprache (in Altkirchenslawisch, das mit dem glagolitischen Alphabet, einem Vorläufer des Kyrillischen widergegeben wurde), sondern vor allem eine »fröhliche Messe«, wie es der Komponist ausdrückte, eine Feier des Lebens.
Ans Pult der Staatskapelle Berlin kehrt Sir Simon Rattle zurück, um seinen mit »Aus einem Totenhaus« und »Katja Kabanowa« begonnenen Janáček-Zyklus an der Staatsoper fortzusetzen.

Deutsch

There aren't too many Mass settings that go well with a very earthly Haydn symphony. However, Leoš Janáček's »Glagolitic Mass« behaves like hardly any other mass: The Moravian composer was far removed from sacred, godly sound worlds in the tradition of Bach's church music. The result was not only a Mass setting in an extraordinary language (in Old Church Slavonic, rendered using the Glagolitic alphabet, a precursor to Cyrillic), but above all a »joyful Mass«, as the composer put it, a celebration of life.
Sir Simon Rattle returns to conduct the Staatskapelle Berlin to continue his Janáček cycle at the Staatsoper, which he began with »From the House of the Dead« and »Katja Kabanova«.

English

Abonnementkonzert II (Subscription Concert II) by Various, De (2018/2018), Regente Simon Rattle, Staatsoper Unter den Linden, Berlim, Alemanha

Créditos do espetáculo (Elenco & Equipe )

Elenco

Instrumentação

Equipe

Conjunto

Programa, Sobre & Sinopse

Leitura adicional

Datas e locais de apresentação

Locais de Eventos