Name: Adam Fischer conducts Haydn and Bartok
Start: 2019-12-13T00:00:00.000Z
End: 2019-12-15T00:00:00.000Z
Location: Konzerthalle

Organization

Conductor

Adam Fischer

Baritone

Miklós Sebestyén

Mezzo-soprano

Ruxandra Donose

Bamberg Symphony Orchestra

Adam Fischer conducts Haydn and Bartok

Bamberg

Germany

Konzerthalle

Adam Fischer conducts Haydn and Bartok: Concert Various

Public

Concert

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Tenor

Singer

Soprano

Countertenor

Contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

No audience ever forgets Haydn’s Symphony no. 45! An anecdote throws light on the programme behind this “farewell” symphony: when Haydn wrote this work in 1772, his employer Count Esterházy was so enamoured of his summer residence in the country that he spent longer and longer there each year. His musicians had to stay there, too – and after a long season, they were eager to finally return home. They asked Haydn for help, and the latter’s mischievous nature promptly inspired him to write an original symphony in which the usual grand finale breaks off and is replaced by a slow Adagio, during which the musicians leave the stage one by one. At the premiere, the count was at first disconcerted, but recognised what the symphony was trying to tell him. He is supposed to have said: “Very well, if they are all leaving, we should too.”

In our concert, the musicians and our conductor Adam Fischer will return to the stage, of course, accompanied by the two soloists Miklós Sebestyén and Ruxandra Donose, to perform Bartók’s only opera “Bluebeard’s Castle”. Written in 1911, its fiery music is full of elements taken from Hungarian folk melodies. Conjuring up splendid musical visions, the opera evokes a legendary tale: Duke Bluebeard takes Judith to his dark castle, which she is supposed to fill with joy and sunshine. She is permitted to open the seven locked doors – but with each key, she gets closer to his dark and lonely soul. Behind the last door is the room of the women Bluebeard loved before Judith – and she, too, is then locked inside. Bluebeard remains in darkness, unrecognised, shutting his dreams and memories of love away inside himself.

English

Adam Fischer conducts Haydn and Bartok by Various, Aπό (2019/2019), αγωγός Adam Fischer, Konzerthalle, Bamberg, Germany

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