Name: Adriana Lecouvreur
Start: 2021-04-27T00:00:00.000Z
End: 2021-05-06T00:00:00.000Z
Location: Teatro del Maggio Musicale Fiorentino

Admin

Organization

Festival del Maggio Musicale Fiorentino

Baixo

Alessandro Spina

Il principe di Bouillon

Tenor

Paolo Antognetti

L'abate di Chazeuil

Antonio Garés

Poisson

Soprano

Maria José Siri

Adriana Lecouvreur

Barítono

Nicola Alaimo

Michonnet

Maestro

Daniel Harding

Cenógrafo

Polina Liefers

Estilista

Cenógrafo (+1)

Julia Katharina Berndt

Mestre de Coro

Lorenzo Fratini

Coreógrafo

Anna Olkhovaya

Martin Muehle

Maurizio

Mezzo-soprano

Valentina Corò

Madamigella Dangeville

Baixo (+1)

Davide Piva

Quinault

Michele Gianquinto

Un maggiordomo

Diretor de Palco

Frederic Wake-Walker

Designer de Iluminação

Marco Faustini

Ksenia Dudnikova

La principessa di Bouillon

Chiara Mogini

Madamigella Jouvenot

Fondazione del Teatro del Maggio Musicale Fiorentino

Others

Coro del Maggio Musicale Fiorentino

Orchestra

Orchestra del Maggio Musicale Fiorentino

Teatro del Maggio Musicale Fiorentino

italiano

Florença

Itália

The name of Francesco Cilea is inextricably linked to his most famous and most represented work: Adriana Lecouvreur. Fourth of the five operas he composed, Adriana Lecouvreur made her debut on November 6, 1902 at the Teatro Lirico in Milan with an exceptional cast, where alongside the protagonist Angelica Pandolfini the name of Enrico Caruso stood out in the role of the Count of Saxony. The subject is taken from the play of the same name by Eugène Scribe and Ernest Legouvé and tells the story of the famous tragic actress Adrienne Lecouvreur, the undisputed star of the Comédie-Française for over a decade, who died under mysterious circumstances, probably poisoned by a rival in love. For Cilea there are all the elements of certain dramatic effectiveness that can be developed in music, from the passionate story involving Adriana, Maurizio and the princess of Bouillon (Adriana's rival), to the setting in the gallant eighteenth century, painted with grace and levity according to the French model, up to the expedient of the theater within the theater, which allows the protagonist to pass from the recited comedy to the concrete passion in the continuous alternation of reality and fiction

Adriana Lecouvreur Cilea

Ópera

inglês

Approved

Folheto da produção

Leitura adicional