Organization

Singer

Soprano

Kristīne Opolais

Adriana Lecouvreur

Tenor

Luciano Ganci

Maurizio

Mezzo-soprano

Veronica Simeoni

The Princess of Bouillon

Bass

Romano Dal Zovo

The Prince of Bouillon

Gianluca Sorrentino

The Abbe of Chazeuil

Elena Borin

Miss Jouvenot

Aloisa Aisemberg

Miss Dangeville

Stefano Consolini

Poisson

Luca Gallo

Quinalt

Stage director

Rosetta Cucchi

Lighting designer

Daniele Naldi

Costume designer

Claudia Pernigotti

Set designer

Tiziano Santi

Video designer

Roberto Recchia

Choreographer

Luisa Baldinetti

Chorus master

Gea Garatti Ansini

Baritone

Sergio Vitale

Michonnet

Conductor

Asher Fisch

COLLABORATOR TO THE DIRECTOR

Stefania Panighini

Scene assistant

Serena Treppiedi

Costume Assistant

Massimo Carlotto

Assistant Director

Davide Gasparro

Opera Australia

Ópera de Oviedo

Teatro Comunale di Bologna

Bologna

Italy

From the Teatro Comunale di Bologna, "Adriana Lecouvreur" by Francesco Cilea. Musical direction entrusted to Asher Fisch. The directorial project, declined in the film-opera version, is signed by Rosetta Cucchi. Directed tv Arnalda Canali.

DIRECTOR Asher Fisch DIRECTOR Rosetta Cucchi Orchestra, Chorus and Technicians of the Municipal Theater of Bologna CAST MAURIZIO Luciano Ganci THE PRINCE OF BOUILLON Romano Dal Zovo THE ABBOT OF CHAZEUIL Gianluca Sorrentino MICHONNET Sergio Vitale ADRIANA LECOUVREUR Kristine Opolais THE PRINCESS MADONICA OF BOUILLON Verime. JOUVENOT Elena Borin MAD.LLA DANGEVILLE Aloisa Aisemberg QUINAULT Luca Gallo POISSON Stefano Consolini Comedy-drama in four acts by Arturo Colautti L'Opera, taken from the play by Scribe and Legouvé and staged for the first time in Milan on November 6, 1902, tells the latest poignant events that see the actress Adriana Lecouvreur as protagonist. In this work, comedy and drama come together in a natural balance, in which intrigue, rivalry, love and jealousy gradually saturate the line of comedy with drama. Production of the Teatro Comunale di Bologna with Fundación Ópera de Oviedo and Opera Australia

Adriana Lecouvreur Cilea

Public

Private

Approved

ADRIANA THE DISCOVERER
MUNICIPAL THEATER OF BOLOGNA
November 14 | 16 | 18 | 20
TICKETS ARE STILL AVAILABLE
 https://www.tcbo.it/.../autunno-allopera-2021-adriana.../
What are you waiting for? With 100% of capacity again, the Teatro Comunale di Bologna presents Adriana Lecouvreur, Francesco Cilea’s Opera, who, representing the theatre in the theatre, tells the events and toil of an actress who enchanted the television audience. or of Rai 5 for Kristine Opolais' sublime portrayal in the role by Adriana.
We’re borrowing Fabio Vittorini’s beautiful review of the manifesto which, in our opinion, fits perfectly the sense of the staging of Rosetta Cucchi:
Fabio Vittorini The Manifesto 13/04 2021
“The real surprise of the show is in the direction, curated on the theatrical side by Rosetta Cucchi and on the television by the tireless Arnalda Canali, committed to building a drama that hybrids with great stage syntaxes (movimen Actors' ti) and audiovisual syntax (camera movements and mounting pieces), doing Adriana a creature that, like Orlando of Virginia Woolf, goes through different eras and changes its skin with every act. In the first is the «tragedy» that really existed, that in the middle of 700 revolutionized acting seeking the most natural possible expressiveness, caught in a backstage while preparing to debut in Bajazet di Racine; in the second is a Roman actress mid-Eight-century tika similar to Sarah Bernhardt, who often cemented herself with Adriana's role in the tragedy of Legouvé and Scribe which is inspired by the opera booklet; in the third is a film actress from the early twentieth century similar to Yvonne Printemps, protagonist of one of the first silent films inspired by Lecouvreur.
In the fourth act the flogoration: in Paris of 1968 crossed by student protests and rivebers of the Nouvelle Vague aesthetics, Adriana, now resembles one of the many «intelligent» masks of Anna Karina or Jeanne Moreau, undresses stage stages as his story descends into one sort of intimate diary in which the actress confronts herself one last time pleasantly with her image (Michonnet la filma), concedes to occupy only the center of the scene (Maurizio reduced to pure voice like Alfredo in Traviata), dying as a don na adoring to live eternally as adored diva. "

Adriana Lecouvreur | Kritine Opolais | Ecco respiro appena - Aria I atto

Comedy-drama in four acts by Arturo Colautti

The Opera, taken from the play by Scribe and Legouvé and staged for the first time in Milan on November 6, 1902, tells the latest poignant events that see the actress Adriana Lecouvreur as the protagonist. In this work, comedy and drama come together in a natural balance, in which intrigue, rivalry, love and jealousy progressively saturate the line of comedy with drama.

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