Organization

The Abu Dhabi Festival

Coreógrafo

Leda Lojodice

Mestre de Coro

Andrés Máspero

Designer de Iluminação

Vinicio Cheli

Tenor (+1)

Fabián Lara

Um mensageiro

Diretor de Palco

Diretor de Palco (+4)

Hugo De Ana

Cenógrafo

Baixo (+4)

Deyan Vatchkov

O Rei do Egito

Estilista

Vídeo

Vídeo (+2)

Sergio Metalli

Teatro Real de Madrid

Chorus

Coro Intermezzo

Orchestra

Orquesta Sinfónica de Madrid

Teatro Real

Maestro

Maestro (+2)

Nicola Luisotti

Soprano (+1)

Jaquelina Livieri

Uma sacerdotisa

Mezzo-soprano (+5)

Sonia Ganassi

Amnéris

Mezzo-soprano (+2)

Ketevan Kemoklidze

Soprano (+3)

Krassimira Stoyanova

Aida

Daniel Oren

Jamie Barton

Tenor (+4)

Piotr Beczała

Radamés

Tenor (+3)

Yusif Eyvazov

Baixo (+3)

Alexander Vinogradov

Ramfis

Baixo (+2)

Jongmin Park

Baixo-barítono (+7)

Carlos Álvarez

Amonasro

Barítono (+2)

Artur Rucinski

Soprano

Roberta Mantegna

Tenor

Jorge de León

Baixo-barítono (+3)

Simón Orfila

Gevorg Hakobyan

Soprano (+5)

Anna Netrebko

Marta Bauzà

Maria Agresta

Maestro (+1)

Diego García Rodríguez

Vittoria Yeo

Yonghoon Lee

One of the greatest ironies of grand opera – the total spectacle of early Romanticism – is that its legacy has come down to us mainly through foreign surrogates such as Aida, whose Cairo premiere in 1871 was surrounded by all the paraphernalia reserved for the great geopolitical conclaves. Far from giving in to the vulgar trickery characteristic of this genre, this masterpiece and turning point in Verdi's production turned the massive scenes into an integral part of the drama –and not a mere spectacle– and infused its creatures with a fire that reaches solar temperatures in their last act, before melting into a loving embrace of resignation and oblivion.

Any production that claims to live up to this work must overcome no less thorny challenges: that the drama shines above the show and that the passions give off their fiery brilliance without burning in the morbid flames of the feuilleton. Almost a quarter of a century after its premiere in 1998, these are precisely the keys that explain the validity of this historic production by Hugo de Ana in an updated revival to demonstrate once again –forgive the redundancy– its perennial relevance.

italiano

Madrid

Espanha

Sala Principal

Aida Verdi

Staged

Ópera

El Teatro Real recupera una de las producciones más monumentales y emblemáticas de su pasado reciente, #AidaTR, de Giuseppe Verdi, estrenada en 1998 con dire...

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