Organization

Festival Palazzetto Bru Zane à Paris

Maestro

Débora Waldman

Cantor

Mezzo-soprano

Karine Deshayes

Delphine Haidan

Orchestra

Orchestre National Avignon-Provence

Airs d’opéra

Paris

França

Philharmonie de Paris

Avinhão

Opéra Grand Avignon

Airs d’opéra: Concert Various

Public

Concerto

Approved

Pour les compositrices, l’accession à la scène a été difficile durant tout le XIXe siècle : Fausto de Louise Bertin (Théâtre-Italien, 1831) et Mazeppa de Clémence de Grandval (Opéra de Bordeaux, 1892) font exception. Afin d’aborder l’art lyrique, Pauline Viardot propose, pour sa part, un opéra de salon (Le Dernier Sorcier, 1867).

français

It will come as no surprise that alongside pages by Rossini, Berlioz and Gluck, Debora Waldman has chosen to let us hear arias composed by Louise Bertin and Pauline Viardot. Trained at the Conservatoire National Supérieur de Musique de Paris and having started her career as Kurt Masur's assistant at the Orchester National de France, this conductor was the first woman to lead a nationally-labelled formation, in 2020. Particularly committed in transmission, she takes a close interest in little-known or even unknown works by female composers. In 2019, she thus created Charlotte Sohy's "Great War" Symphony , of which she had found the score: the story is told in The Forgotten Symphony, a book co-written with journalist Pauline Sommelet. Place this time to two composers of the 19th century: Louise Bertin, who collaborated in particular with Victor Hugo (no less!), and Pauline Viardot, best known as a singer.

English

Airs d’opéra by Various, De (2022/2022), Regente Débora Waldman, Opéra Grand Avignon, Avinhão, França

Créditos do espetáculo (Elenco & Equipe )

Elenco

Conjunto

Programa, Sobre & Sinopse

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos