Name: Apología de La Forma
Start: 2022-09-29T00:00:00.000Z
End: 2022-09-30T00:00:00.000Z
Location: Palacio de Congresos Manuel Rojas

Organization

Conductor

Juanjo Mena

Pianist

Mario Marzo

Piano

Orchestra

Orquesta de Extremadura

Apología de La Forma

Mérida

Spain

Teatro Romano de Mérida

Badajoz

Palacio de Congresos Manuel Rojas

Apología de La Forma: Brahmsian, fanfare (+2 More)

Public

Brahmsiana, fanfarria para metales y timbales

Piano Concerto No. 3 in C Minor, op. 37

Symphony No. 3 in F Major, Op. 90

Approved

Bass

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Bass-baritone

Singer

Countertenor

Contralto

Soprano

Mezzo-soprano

Tenor

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

We open the 2022-2023 season with a taste for musical architecture. Beethoven's structural conciseness historically persecuted the writing of Brahms, who would include references to the motto Frei aber froh (“Free but happy”) in the third of his symphonies, the same one that hovers above the Brahmsiana (2010) by the Canarian composer Laura Vega, a fanfare for brass and timpani that serves as the framework for the reopening program and that our orchestra will perform for the first time. Three starting points that draw an apology for the irreproachable clarity and solidity of the musical form by the conductor Juanjo Mena and the pianist Mario Marzo.

English

Abrimos la temporada 2022-2023 con el gusto por la arquitectura musical. La concisión estructural de Beethoven persiguió históricamente la escritura de Brahms, quien volcaría referencias al lema Frei aber froh (“Libre pero feliz”) en la tercera de sus sinfonías, la misma que sobrevuela la Brahmsiana (2010) de la compositora canaria Laura Vega, una fanfarria para metales y timbales que sirve de marco al programa de reapertura y que nuestra orquesta interpretará por primera vez. Tres puntos de partida que dibujan una apología a la irreprochable claridad y solidez de la forma musical de la mano del director Juanjo Mena y el pianista Mario Marzo.

español

Apología de La Forma by Vega, L., Beethoven, Brahms, Noiztik (2022/2022), Zuzendaria Juanjo Mena, Palacio de Congresos Manuel Rojas, Badajoz, Spain

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