Organization

Direction d'orchestre

Direction d'orchestre (+1)

Donald Runnicles

Mise en scène

Tobias Kratzer

Décors

Décors (+1)

Rainer Sellmaier

Costumes

Lumières

Stefan Woinke

Video

Jonas Dahl

Mise en scène (+1)

Manuel Braun

Direction de choeur

Direction d'orchestre (+2)

Jeremy Bines

Dramaturge

Dramaturge (+3)

Bettina Bartz

Basse (+3)

Albert Pesendorfer

Comte Waldner

Mezzo-soprano (+3)

Doris Soffel

Adélaïde

Soprano (+1)

Elena Tsallagova

Zdenka

Baryton (+5)

Russell Braun

Mandryka

Ténor (+2)

Robert Watson

Matteo

Ténor (+5)

Thomas Blondelle

Comte Elemer

Soprano (+4)

Lexi Hutton

La Cartomancienne

Baryton (+3)

Kyle Miller

Comte Dominik

Soprano (+2)

Hye-Young Moon

Fiakermilli

Chorégraphie

Chorégraphie (+2)

Jeroen Verbruggen

Tyler Zimmerman

Comte Lamoral

Jörg Schörner

Welko

Parlé

Michael Jamak

Djura

Ténor (+1)

Robert Hebenstreit

Jankel

Deutsche Oper Berlin

Orchestra

Orchester der Deutschen Oper Berlin

Chorus

Choir of the Deutsche Oper Berlin

Gabriela Scherer

Arabella

Heiner Boßmeyer

Une femme de chambre

Ténor (+3)

Thaisen Rusch

Soprano

Sara Jakubiak

At first glance, Hofmannsthal's libretto ARABELLA is a comedy of mistaken identity which, had it been composed by Rossini, could have been a snappy buffo opera. But the music of Richard Strauss, who pulls out all the stops of his orchestral art, from the late romantic intoxication to the most modern discord, creates a subtle, colorful panorama of a society in transition, whose late-bourgeois values ​​are crumbling. One's own identity and interpersonal relationships have to be tested from scratch. Central is – even more than the title character, who oscillates between romance and rebellion – Arabella's younger sister Zdenka, who, disguised as a man by her parents for lack of money for girls' clothes befitting their status, has to struggle all the more desperately with her/his role as an outsider.

For the director Tobias scratches and his team, the ambivalences of the characters up to the last quirky supporting character are a welcome source of inspiration to think about historical role models and modern identity. The detailed staging, in which the real plot is repeatedly contrasted, supplemented and commented on with cinematic virtuality, should give the viewer the opportunity to experience the musical richness with an often surprising change of perspective between private emotional chaos and social norms. With ARABELLA, Tobias Kratzer continues the collaboration with Sir Donald Runnicles, which began in 2019 with the acclaimed production of Zemlinsky's DER ZWERG.

Arabella, Strauss

Distribution

Graf Waldner

Adelaide

Zdenka

Mandryka

Matteo

Graf Elemer

Eine Kartenaufschlägerin

Graf Dominik

Die Fiakermilli

Graf Lamoral

Welko

Djura

Jankel

Arabella

Ein Zimmerkellner

Équipage

Mise en scène

Direction d'orchestre

Décors

Costumes

Direction de choeur

Lumières

Chorégraphie

Dramaturge

Video

Instrumentation

Producteur

Producteur

Ensemble

Orchestre

Chœur

Coproducteur

Photos

À propos de

Compositeur

Livret

Description

Synopsis de la Production