Organization

Maestro

Maestro (+1)

Donald Runnicles

Diretor de Palco

Tobias Kratzer

Cenógrafo

Cenógrafo (+1)

Rainer Sellmaier

Estilista

Designer de Iluminação

Stefan Woinke

Vídeo

Jonas Dahl

Diretor de Palco (+1)

Manuel Braun

Mestre de Coro

Maestro (+2)

Jeremy Bines

Dramaturgo

Dramaturgo (+3)

Bettina Bartz

Baixo (+3)

Albert Pesendorfer

Graf Waldner

Mezzo-soprano (+3)

Doris Soffel

Adelaide

Soprano (+1)

Elena Tsallagova

Zdenka

Barítono (+5)

Russell Braun

Mandryka

Tenor (+2)

Robert Watson

Matteo

Tenor (+5)

Thomas Blondelle

Graf Elemer

Soprano (+4)

Lexi Hutton

Eine Kartenaufschlägerin

Barítono (+3)

Kyle Miller

Graf Dominik

Soprano (+2)

Hye-Young Moon

Die Fiakermilli

Coreógrafo

Coreógrafo (+2)

Jeroen Verbruggen

Tyler Zimmerman

Graf Lamoral

Jörg Schörner

Welko

Falado

Michael Jamak

Djura

Tenor (+1)

Robert Hebenstreit

Jankel

Deutsche Oper Berlin

Orchestra

Orchester der Deutschen Oper Berlin

Chorus

Choir of the Deutsche Oper Berlin

Gabriela Scherer

Arabella

Heiner Boßmeyer

Ein Zimmerkellner

Tenor (+3)

Thaisen Rusch

Soprano

Sara Jakubiak

At first glance, Hofmannsthal's libretto ARABELLA is a comedy of mistaken identity which, had it been composed by Rossini, could have been a snappy buffo opera. But the music of Richard Strauss, who pulls out all the stops of his orchestral art, from the late romantic intoxication to the most modern discord, creates a subtle, colorful panorama of a society in transition, whose late-bourgeois values ​​are crumbling. One's own identity and interpersonal relationships have to be tested from scratch. Central is – even more than the title character, who oscillates between romance and rebellion – Arabella's younger sister Zdenka, who, disguised as a man by her parents for lack of money for girls' clothes befitting their status, has to struggle all the more desperately with her/his role as an outsider.

For the director Tobias scratches and his team, the ambivalences of the characters up to the last quirky supporting character are a welcome source of inspiration to think about historical role models and modern identity. The detailed staging, in which the real plot is repeatedly contrasted, supplemented and commented on with cinematic virtuality, should give the viewer the opportunity to experience the musical richness with an often surprising change of perspective between private emotional chaos and social norms. With ARABELLA, Tobias Kratzer continues the collaboration with Sir Donald Runnicles, which began in 2019 with the acclaimed production of Zemlinsky's DER ZWERG.

Arabella, Strauss

Elenco

Graf Waldner

Adelaide

Zdenka

Mandryka

Matteo

Graf Elemer

Eine Kartenaufschlägerin

Graf Dominik

Die Fiakermilli

Graf Lamoral

Welko

Djura

Jankel

Arabella

Ein Zimmerkellner

Equipe

Diretor de Palco

Maestro

Cenógrafo

Estilista

Mestre de Coro

Designer de Iluminação

Coreógrafo

Dramaturgo

Vídeo

Instrumentação

Produtor

Produtor

Conjunto

Orquestra

Coro

Co-produtor

Fotos

Sobre

Compositor

Libretista

Descrição

Sinopse da produção