Organization

Stage director

Marin Blažević

Set designer

Alan Vukelić

Costume designer

Sandra Dekanić

Lighting designer

Singer

Baritone

Blaž Galojlić

Ser Matteo

Leon Košavić

Robert Adamček

L'Abate Cospicuo

Jurica Jurasić Kapun

Ivan Šimatović

Bass

Miloš Milojević

Dottor Bombasto

Luka Ortar

Spoken

Serena Ferraiuolo

Arlecchino

Giulio Settimo

Tenor

Jorge Puerta

Leandro

Kristian Marušić

Mezzo-soprano

Kristina Owais

Colombina

Emilia Rukavina

Michaela Selinger

Vuk Ognjenović

Cops

Armando El-Hag Hassan

Fabrizio Melano

Manuela Paladin Šabanović

Dalibor Fugošić

Dalibor Hanzalek

Gianni Schicchi

Robert Kolar

Giorgio Surian

Soprano

Ivana Medić

Lauretta

Darija Auguštan

Anamarija Knego

Contralto

Gordana Kalmar

Zita

Sofija Cingula

Matej Predojević Petrić

Rinuccio

Bože Jurić-Pešić

Bryan Lopez Gonzalez

Ladislav Vrgoč

Gherardo

Marko Fortunato

Betto di Signa

Simone

Slavko Sekulić

Marco

Stefany Findrik

La Ciesca

Lorena Krstić

Ivana Srbljan

Dario Bercich

Maestro Spinelloccio

Karlo Miličević

Ser Amantio di Nicolao

Krunoslav Tuma

Pinellino

Saša Matovina

Josip Slam

Guccio

Marijan Padavić

Silent

Annunziata

Paola Lugarić

Conductor

Mladen Tutavac

Valentin Egel

Katarina Toplek

Nella

Vanja Zelčić

Elia Saraconi

Gherardino

HNK Osijek

Arlecchino & gianni schicchi

Osijek

Croatia

Arlecchino Busoni (+1 More)

Public

Approved

Arlecchino & gianni schicchi: Arlecchino (+1 More)

In collaboration with the Opera and Italian Drama of the Croatian National Theater Ivan pl. Zajc, and in co-production with the Croatian National Theater in Osijek, we present Busoni's "Arlecchino", an opera based on the thematic basis of the medieval comedy  dell'arte, combined with a comic opera from the famous Puccini trilogy. Although both operas were written in the same period (1913 and 1917), this is really a kind of "collision" - a clash of tradition seen through the eyes of modernists (Busoni) and modern seen through the eyes of opera composer "old smith" (Puccini). Many writers point out that "Gianni Schicchi", along with "La Bohème" and "Tosca", is Puccini's most successful opera, and also the most important Italian musical comedy behind Verdi's "Falstaff". Although the event itself is already mentioned in Dante's "Divine Comedy", it is pointed out that the author "takes as a basis the daring feat of the title hero who - with a skilful replacement - leaves the best part of the deceased's property on someone else's deathbed" (Josip Andreis). Busoni's "Arlecchino" is a parody of various operas, but also opera in general as a genre,

English

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