Organization

Режиссер-постановщик

Marin Blažević

Художник-постановщик

Alan Vukelić

Художник по костюмам

Sandra Dekanić

Художник по свету

Певец

Баритон

Blaž Galojlić

Ser Matteo

Leon Košavić

Robert Adamček

L'Abate Cospicuo

Jurica Jurasić Kapun

Ivan Šimatović

Бас

Miloš Milojević

Dottor Bombasto

Luka Ortar

Разговорная роль

Serena Ferraiuolo

Arlecchino

Giulio Settimo

Тенор

Jorge Puerta

Leandro

Kristian Marušić

Меццо-сопрано

Kristina Owais

Colombina

Emilia Rukavina

Michaela Selinger

Vuk Ognjenović

Cops

Armando El-Hag Hassan

Fabrizio Melano

Manuela Paladin Šabanović

Dalibor Fugošić

Dalibor Hanzalek

Джанни Скикки

Robert Kolar

Giorgio Surian

Сопрано

Ivana Medić

Лауретта

Darija Auguštan

Anamarija Knego

Контральто

Gordana Kalmar

Дзита

Sofija Cingula

Matej Predojević Petrić

Ринуччо

Bože Jurić-Pešić

Bryan Lopez Gonzalez

Ladislav Vrgoč

Герардо

Marko Fortunato

Бетто ди Синья

Симоне

Slavko Sekulić

Марко

Stefany Findrik

Чьеска

Lorena Krstić

Ivana Srbljan

Dario Bercich

Доктор Спинелоччо

Karlo Miličević

Амантио ди Николаи

Krunoslav Tuma

Пинеллино

Saša Matovina

Josip Slam

Гуччо

Marijan Padavić

Немая роль

Annunziata

Paola Lugarić

Дирижер

Mladen Tutavac

Valentin Egel

Katarina Toplek

Нелла

Vanja Zelčić

Elia Saraconi

Герардино

HNK Osijek

Arlecchino & gianni schicchi

Осиек

Хорватия

Arlecchino Busoni (+1 More)

Public

Арлекино

Одобрено

Arlecchino & gianni schicchi: Arlecchino (+1 More)

In collaboration with the Opera and Italian Drama of the Croatian National Theater Ivan pl. Zajc, and in co-production with the Croatian National Theater in Osijek, we present Busoni's "Arlecchino", an opera based on the thematic basis of the medieval comedy  dell'arte, combined with a comic opera from the famous Puccini trilogy. Although both operas were written in the same period (1913 and 1917), this is really a kind of "collision" - a clash of tradition seen through the eyes of modernists (Busoni) and modern seen through the eyes of opera composer "old smith" (Puccini). Many writers point out that "Gianni Schicchi", along with "La Bohème" and "Tosca", is Puccini's most successful opera, and also the most important Italian musical comedy behind Verdi's "Falstaff". Although the event itself is already mentioned in Dante's "Divine Comedy", it is pointed out that the author "takes as a basis the daring feat of the title hero who - with a skilful replacement - leaves the best part of the deceased's property on someone else's deathbed" (Josip Andreis). Busoni's "Arlecchino" is a parody of various operas, but also opera in general as a genre,

English

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