Name: Arvid Engegård and Concerto Budapest
Start: 2024-01-19T00:00:00.000Z
End: 2024-01-19T00:00:00.000Z
Location: Béla Bartók National Concert Hall

Organization

Admin

Müpa Budapest

Conductor

Arvid Engegård

Orchestra

Concerto Budapest

Instrumentalist

Tóth Bálint

Horn

Benyus János

Péter Lakatos

Máté Hamar

Hornist

Arvid Engegård and Concerto Budapest

Budapest

Hungary

Béla Bartók National Concert Hall

Arvid Engegård and Concerto Budapest: Variationen über ein Thema von Haydn, op.56a Brahms (+2 More)

Public

Variationen über ein Thema von Haydn, op.56a

Konzertstück in F for 4 horns & orchestra, Op.86

Petrushka

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Bass-baritone

Countertenor

Contralto

Bass

Mezzo-soprano

Soprano

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

Egykor Végh Sándor tanítványa volt, és a norvég hegedűművész-karmester, Arvid Engegård pályafutása legfontosabb döntésének ítéli, hogy látogatta a nagy magyar muzsikus salzburgi kurzusait. A számos közös koncert után most újra a Concerto Budapestet vezénylő Engegård műsora ezúttal a német romantikát Stravinsky zenéjével társítja, méghozzá úgy, hogy a felhangzó művek itt-ott más korokat és világokat is megidéznek majd.

Kezdve mindjárt az elsőként megszólaló 1873-as Brahms-művel, amely címe szerint egy Haydn-téma variációit tartalmazza, ám a nyolc változaton és a finálén végigvonuló koráldallam ennél is korábbról eredeztethető. A kürt 19. századi versenymű-irodalma nem mérhető a hegedű vagy a zongora kedveltségéhez, ám Robert Schumann éppenséggel szólóhangszerként is szívesen nyúlt ehhez az instrumentumhoz, s ennek legszebb bizonysága az az 1849-es kompozíció, amely nem is egy, hanem mindjárt négy kiváló kürtös számára kínál főszerepet. „Régi munkám a Petruska. Nem mondom, hogy rossz munka. De már túl vagyok rajta.” 1926-ban nyilatkozott így Budapesten Igor Stravinsky, aki szerette meghökkenteni az újságírókat. Valójában még évtizedek múltán is visszatért e művéhez, mi pedig sose leszünk túl a Petruskán.

magyar

A former student of Sándor Végh‘s, the Norwegian violinist and conductor Arvid Engegård looks back at attending the great Hungarian musician‘s courses in Salzburg as the most important decision he made in his career. After performing with Concerto Budapest many times, Engegård is now returning to conduct them in a programme that couples German Romanticism with the music of Stravinsky, with works that also occasionally evoke other eras and worlds.

This pattern kicks off with Brahms's work from 1873, which, as its title suggests, develops variations on a theme by Haydn. However, the chorale melody running through the eight variations and the finale can be traced back to even earlier. While the 19th-century literature of concertos written for the horn cannot be compared to the popularity of that of the violin or piano, Robert Schumann was fond of employing it as a solo instrument, and the most beautiful proof of this fact is his composition from 1849, which offered a leading role not only to one excellent horn player, but four of them. "Petrushka is an old work of mine. I wouldn't say it turned out poorly. But now I'm finished with it.” So said Stravinsky in 1926, who always enjoyed surprising journalists, in Budapest in 1926. In fact, he did indeed return to this work decades later. For our part, we will never be finished with Petruska.

English

Arvid Engegård and Concerto Budapest by Brahms, Schumann, Stravinsky, Frá (2024/2024), Hljómsveitarstjóri Arvid Engegård, Béla Bartók National Concert Hall, Budapest, Hungary

Frammistaða áskriftir (Leikarar & starfslið )

Tækjabúnaður

Hljómsveit

Dagskrá, Um & Yfirlit

Ljósmyndir

Frekari lestur

Sýningardagsetningar og sýningarstaðir

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