Name: Barockkonzert
Start: 2022-11-25T00:00:00.000Z
End: 2022-11-25T00:00:00.000Z
Location: Gärtnerplatztheater

Organization

Maestro

Howard Arman

Dramaturgo

Fedora Wesseler

Staatstheater am Gärtnerplatz

Orchestra

Orchester des Staatstheaters am Gärtnerplatz

Barockkonzert

Munique

Alemanha

Gärtnerplatztheater

Public

Concerto

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Cenógrafo

Chefdirigent Musiktheater

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Iluminação

Designer de Som

Designer de Vídeo

Diretor de Palco

Estilista

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Mestre de Coro

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Barítono

Cantor

Baixo

Tenor

Soprano

Mezzo-soprano

Contratenor

Contralto

Baixo-barítono

Alto

Continuo

Silent

Spoken

Vocalista Infantil

Concert Various

Im Barock ging es hoch her – nicht nur im Leben, auch in der Musik. Dabei zeugen die Werke barocker Komponisten nicht nur von intensiver Dramatik, sondern auch, wie in diesem Konzert zu erleben, von einer großen Portion Humor. »Zur besonderen Erquickung des Gehörs« schrieb Georg Muffat, der Kosmopolit unter den Barockkomponisten, seine »aus Ernst und Spaß gewobenen Instrumentalkonzerte«, die bis heute den Einfallsreichtum und die spielerische Seite des Barockzeitalters unter Beweis stellen. Ebenso anschaulich und humoristisch geht es bei Heinrich Ignaz Franz Biber zu: In seinem wohl für den Karneval 1673 komponierten Stück »La Battaglia« imitiert er nicht nur eine Schlacht, sondern auch gleich das wirre Durcheinandersingen betrunkener Musketiere. Georg Philipp Telemann wiederum zeigt sich in seiner »Ouvertüre verbunden mit einer tragikomischen Suite« mit dem Titel »Der eingebildete Kranke« von seiner satirischen Seite, indem er medizinisch äußerst fragwürdige Tipps zur Genesung vorführt. Der Gichtleidende soll durch eine holprige Fahrt mit der Postkutsche und Tanz geheilt werden, der eingebildete Kranke durch heldenhafte Duldsamkeit und der eitle Geck soll zur Heilung ein Bordell aufsuchen. Mit diesen und weiteren originellen musikalischen Leckerbissen setzen wir die Reihe unserer Barockkonzerte fort.

Deutsch

In the baroque era things were really happening – not just in life, but also in music. The works of baroque composers not only testify to intense drama, but also, as can be experienced in this concert, to a large portion of humour. Georg Muffat, the cosmopolitan among the baroque composers, wrote his "instrumental concertos woven from seriousness and fun" "for a special refreshment of the ear", which to this day prove the inventiveness and the playful side of the baroque age. Heinrich Ignaz Franz Biber is just as graphic and humorous: in his piece »La Battaglia«, which was probably composed for the carnival of 1673, he not only imitates a battle, but also the confused singing of drunken musketeers. Georg Philipp Telemann, on the other hand, shows his satirical side in his »overture combined with a tragi-comic suite« entitled »The imaginary sick person« by presenting extremely questionable medical tips for recovery. The gout sufferer should be cured by a bumpy stagecoach ride and dancing, the imaginary sick person by heroic tolerance, and the vain dandy should go to a brothel to be cured. With these and other original musical delicacies we continue the series of our baroque concerts. the imaginary sick through heroic tolerance and the vain dandy should go to a brothel to be cured. With these and other original musical delicacies we continue the series of our baroque concerts. the imaginary sick through heroic tolerance and the vain dandy should go to a brothel to be cured. With these and other original musical delicacies we continue the series of our baroque concerts.

English

Barockkonzert by Various, De (2022/2022), Regente Howard Arman, Gärtnerplatztheater, Munique, Alemanha

Créditos do espetáculo (Elenco & Equipe )

Equipe

Conjunto

Programa, Sobre & Sinopse

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos