Name: Bavarian Radio Choir Landshamer Nazmi Dijkstra Brahms: A German Requiem
Start: 2023-10-05T00:00:00.000Z
End: 2023-10-05T00:00:00.000Z
Location: Elbphilharmonie

Organization

Conductor

Peter Dijkstra

Singer

Soprano

Christina Landshamer

Baritone

Tareq Nazmi

Pianist

Gerold Huber

Max Hanft

Others

Chor des Bayerischen Rundfunks

Elbphilharmonie & Laeiszhalle Hamburg

Bavarian Radio Choir / Landshamer / Nazmi / Dijkstra Brahms: A German Requiem

Hamburg

Germany

Elbphilharmonie

Grosser Saal

Ein deutsches Requiem, op. 45 Brahms

Public

A German Requiem

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Bass

Mezzo-soprano

Tenor

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Das Deutsche Requiem von Johannes Brahms gehört zu den bewegendsten und klangintensivsten Werken der Romantik. Als der 1833 in Hamburg geborene Brahms sein Requiem komponierte, dachte er weniger an das Seelenheil der Verstorbenen. Mit seiner Musik wollte Brahms vorrangig den Hinterbliebenen Trost spenden. »Ich habe meine Trauermusik vollendet als Seligpreisung der Leidtragenden«, so Brahms. Texte von Menschen für Menschen. Von bisher üblichen kirchlichen Konventionen und Einbindungen in den kirchlichen Ritus wandte er sich vollständig ab und schuf eine neue Form des Requiems als humanistisches Werk.

Das Werk gehört zum Standardrepertoire des BR-Chores, das er bereits in diesem Jahr in der Orchesterfassung im Leipziger Gewandhaus oder den Osterfestspielen Salzburg präsentierte. Man könnte meinen, Johannes Brahms hätte das Deutsche Requiem dem Chor des Bayerischen Rundfunks auf den Leib geschneidert, so stimmig verwandelt er die Partitur in homogenen und warmen Klang ohne in klanggewaltigen Passagen forcieren zu müssen. Begeisterte Pressestimmen schreiben von »perfekter Balance, perfekter Homogenität, perfekter Präzision und perfekter Transparenz«.

In diesem Konzert ist die Fassung für Sopran- und Bass Solo, gemischten Chor mit Begleitung zweier Klaviere zu hören. Letztere fassen den Orchesterpart in vier Händen zusammen. Mit den versierten Pianisten und Liedbegleitern Gerold Huber und Max Hanft stehen den Solisten und dem Chor zwei sensible und einfühlsame Begleiter zur Seite.

Als Solist:innen konnten Christina Landshamer und Tareq Nazmi gewonnen werden. Beide Künstler:innen verbindet mit dem BR-Chor seit Anbeginn ihrer beeindruckenden Karrieren eine langjährige künstlerische Freundschaft. Dies dokumentieren mehrere ausgezeichnete CD-Einspielungen wie Bachs Johannes-Passion mit Tareq Nazmi oder Mozarts Requiem mit Christina Landshamer in der Sopranpartie (BR Klassik).

Die Gesamtleitung obliegt Peter Dijkstra, der seit der Saison 2022/23 erneut die Künstlerische Leitung des Chores des Bayerischen Rundfunks innehat.

Deutsch

The German Requiem by Johannes Brahms is one of the most moving and sonorous works of the Romantic era. When Brahms, who was born in Hamburg in 1833, composed his Requiem, he thought less about the salvation of the soul of the deceased. With his music, Brahms primarily wanted to give consolation to the bereaved. »I have completed my funeral music as a beatitude for those who mourn«, says Brahms. Texts by people for people. He turned away from the usual ecclesiastical conventions and integration into the ecclesiastical rite and created a new form of the Requiem as a humanistic work.

The work is part of the standard repertoire of the BR Choir, which he presented in the orchestral version at the Leipzig Gewandhaus and at the Salzburg Easter Festival this year. One might think that Johannes Brahms tailored the German Requiem for the Bavarian Radio Choir, so coherently does he transform the score into a homogeneous and warm sound without having to force the passages into powerful sounds. Enthusiastic press reviews write of "perfect balance, perfect homogeneity, perfect precision and perfect transparency".

In this concert the version for soprano and bass solo, mixed choir with accompaniment of two pianos can be heard. The latter summarize the orchestral part in four hands. With the experienced pianists and song accompanists Gerold Huber and Max Hanft, the soloists and the choir have two sensitive and empathetic accompanists at their side.

Christina Landshamer and Tareq Nazmi could be won as soloists. Both artists have had a longstanding artistic friendship with the BR Choir since the beginning of their impressive careers. This is documented by several excellent CD recordings such as Bach's St. John Passion with Tareq Nazmi or Mozart's Requiem with Christina Landshamer in the soprano part (BR Klassik).

The overall direction is in the hands of Peter Dijkstra, who has again been artistic director of the Bavarian Radio Choir since the 2022/23 season.

English

Bavarian Radio Choir / Landshamer / Nazmi / Dijkstra Brahms: A German Requiem by Brahms, 에서 (2023/2023), 지휘자 Peter Dijkstra, Elbphilharmonie, Hamburg, Germany

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