Organization

Diretor de Palco

Diretor de Palco (+6)

Barbora Horáková

Cenógrafo

Cenógrafo (+1)

Aída-Leonor Guardia Beier

Estilista

Eva Butzkies

Designer de Iluminação

Stefan Bolliger

Mestre de Coro

Mestre de Coro (+1)

André Kellinghaus

Tenor

Anton Rositskii

Benvenuto Cellini

Baixo (+2)

Ante Jerkunica

Balducci

Baixo (+3)

Tilmann Rönnebeck

Le Pape Clément VII

Tenor (+3)

Aaron Pegram

Francesco

Barítono (+5)

Matthias Henneberg

Pompeo

Soprano (+1)

Tuuli Takala

Teresa

Mezzo-soprano (+3)

Stepanka Pucalkova

Ascanio

Tenor (+2)

Jürgen Müller

Le Cabaretier

Dramaturgo

Benedikt Stampfli

Semperoper Dresden

Orchestra

Staatskapelle Dresden

Chorus

Saxon State Opera Choir Dresden

Barítono (+2)

Anton Beliaev

An Officer

Barítono (+3)

Jérôme Boutillier

Fieramosca

Vídeo

Sergio Verde

Coreógrafo

Juanjo Arqués

Semperoper

Maestro

Giampaolo Bisanti

Baixo-barítono (+4)

Vladyslav Buialskyi

Bernardino

Martin-Jan Nijhof

Leonardo Sini

In his early opera »Benvenuto Cellini«, which premiered in Paris in 1838, Hector Berlioz (1803–1869) created a phenomenal work of art that made one of the most important artists of the 16th century the protagonist: Benvenuto Cellini. Although the opera outlines only three days - the time between Shrove Monday and Ash Wednesday 1532 in Rome - from the dazzling life of the Florentine sculptor, they are stormy enough: after turbulent hours in the hustle and bustle of the carnival, in which Cellini kills an opponent, he is at the In the end, the happy winner.

Hector Berlioz was known for the phenomenal and highly differentiated handling of the instruments in his orchestra and found many admirers, including Richard Wagner. The diverse score includes both large-scale tableaus with their stirring choral scenes and chamber theatrical situations that are uniquely orchestrated. In this way he creates a carnivalesque atmosphere that is second to none.

Fotos