Organization

Режиссер-постановщик

Режиссер-постановщик (+6)

Barbora Horáková

Художник-постановщик

Художник-постановщик (+1)

Aída-Leonor Guardia Beier

Художник по костюмам

Eva Butzkies

Художник по свету

Stefan Bolliger

Хормейстер

Хормейстер (+1)

André Kellinghaus

Тенор

Anton Rositskii

Benvenuto Cellini

Бас (+2)

Ante Jerkunica

Balducci

Бас (+3)

Tilmann Rönnebeck

Le Pape Clément VII

Тенор (+3)

Aaron Pegram

Francesco

Баритон (+5)

Matthias Henneberg

Pompeo

Сопрано (+1)

Tuuli Takala

Teresa

Меццо-сопрано (+3)

Stepanka Pucalkova

Ascanio

Тенор (+2)

Jürgen Müller

Le Cabaretier

Драматург

Benedikt Stampfli

Semperoper Dresden

Orchestra

Staatskapelle Dresden

Chorus

Saxon State Opera Choir Dresden

Баритон (+2)

Anton Beliaev

An Officer

Баритон (+3)

Jérôme Boutillier

Fieramosca

Видео

Sergio Verde

Хореограф

Juanjo Arqués

Semperoper

Дирижер

Giampaolo Bisanti

Бас-баритон (+4)

Vladyslav Buialskyi

Bernardino

Martin-Jan Nijhof

Leonardo Sini

In his early opera »Benvenuto Cellini«, which premiered in Paris in 1838, Hector Berlioz (1803–1869) created a phenomenal work of art that made one of the most important artists of the 16th century the protagonist: Benvenuto Cellini. Although the opera outlines only three days - the time between Shrove Monday and Ash Wednesday 1532 in Rome - from the dazzling life of the Florentine sculptor, they are stormy enough: after turbulent hours in the hustle and bustle of the carnival, in which Cellini kills an opponent, he is at the In the end, the happy winner.

Hector Berlioz was known for the phenomenal and highly differentiated handling of the instruments in his orchestra and found many admirers, including Richard Wagner. The diverse score includes both large-scale tableaus with their stirring choral scenes and chamber theatrical situations that are uniquely orchestrated. In this way he creates a carnivalesque atmosphere that is second to none.

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