Organization

Stage director

Stage director (+6)

Barbora Horáková

Set designer

Set designer (+1)

Aída-Leonor Guardia Beier

Costume designer

Eva Butzkies

Lighting designer

Stefan Bolliger

Chorusmaster

Chorusmaster (+1)

André Kellinghaus

Tenor

Anton Rositskii

Benvenuto Cellini

Bass (+2)

Ante Jerkunica

Balducci

Bass (+3)

Tilmann Rönnebeck

Pope Clement VII

Tenor (+3)

Aaron Pegram

Francesco

Baritone (+5)

Matthias Henneberg

Pompeo

Soprano (+1)

Tuuli Takala

Teresa

Mezzo-soprano (+3)

Stepanka Pucalkova

Ascanio

Tenor (+2)

Jürgen Müller

Le Cabaretier

Dramaturge

Benedikt Stampfli

Semperoper Dresden

Orchestra

Staatskapelle Dresden

Chorus

Saxon State Opera Choir Dresden

Baritone (+2)

Anton Beliaev

An Officer

Baritone (+3)

Jérôme Boutillier

Fieramosca

Video

Sergio Verde

Choreographer

Juanjo Arqués

Semperoper

Conductor

Giampaolo Bisanti

Bass-baritone (+4)

Vladyslav Buialskyi

Bernardino

Martin-Jan Nijhof

Leonardo Sini

In his early opera »Benvenuto Cellini«, which premiered in Paris in 1838, Hector Berlioz (1803–1869) created a phenomenal work of art that made one of the most important artists of the 16th century the protagonist: Benvenuto Cellini. Although the opera outlines only three days - the time between Shrove Monday and Ash Wednesday 1532 in Rome - from the dazzling life of the Florentine sculptor, they are stormy enough: after turbulent hours in the hustle and bustle of the carnival, in which Cellini kills an opponent, he is at the In the end, the happy winner.

Hector Berlioz was known for the phenomenal and highly differentiated handling of the instruments in his orchestra and found many admirers, including Richard Wagner. The diverse score includes both large-scale tableaus with their stirring choral scenes and chamber theatrical situations that are uniquely orchestrated. In this way he creates a carnivalesque atmosphere that is second to none.

Benvenuto Cellini, Berlioz

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