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Semperoper Dresden

Soprano (+1)

Tuuli Takala

Teresa

Chorus

Saxon State Opera Choir Dresden

Diretor de Palco

Diretor de Palco (+6)

Barbora Horáková

Cenógrafo

Cenógrafo (+1)

Aída-Leonor Guardia Beier

Estilista

Eva Butzkies

Designer de Iluminação

Stefan Bolliger

Mestre de Coro

Jonathan Becker

Dramaturgo

Benedikt Stampfli

Tenor

Anton Rositskiy

Benvenuto Cellini

Baixo (+2)

Ante Jerkunica

Balducci

Barítono (+3)

Jérôme Boutillier

Fieramosca

Baixo (+3)

Tilmann Rönnebeck

Le Pape Clément VII

Tenor (+3)

Aaron Pegram

Francesco

Baixo-barítono (+4)

Vladyslav Buialskyi

Bernardino

Barítono (+5)

Matthias Henneberg

Pompeo

Mezzo-soprano (+3)

Stepanka Pucalkova

Ascanio

Tenor (+2)

Jürgen Müller

An innkeeper

Barítono (+2)

Anton Beliaev

An Officer

Orchestra

Staatskapelle Dresden

Vídeo

Sergio Verde

Coreógrafo

Juanjo Arqués

Semperoper

Maestro

Maestro (+1)

Oscar Jockel

Giampaolo Bisanti

In his early opera »Benvenuto Cellini«, which premiered in Paris in 1838, Hector Berlioz (1803-1869) produced an astonishing work of art centred around one of the most important artists of the 16th century. Although the opera sketches only three days in the colourful life of the Florentine sculptor, namely between Shrove Monday and Ash Wednesday in 1532, they are tumultuous enough: After several hours in the hustle and bustle of carnival celebrations in Rome, during which Cellini fatally stabs an enemy, the artist nevertheless enjoys sweet victory at the story’s end.

Hector Berlioz was known for his phenomenally differentiated use of the orchestra and its instruments. His many admirers included Richard Wagner. The richly varied score ranges from large-scale tableaux with rousing choral passages to uniquely orchestrated chamber scenes. In this way, Berlioz creates an unparalleled musical depiction of revelry at carnival time.

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