Admin

Semperoper Dresden

Сопрано (+1)

Tuuli Takala

Teresa

Chorus

Saxon State Opera Choir Dresden

Режиссер-постановщик

Режиссер-постановщик (+6)

Barbora Horáková

Художник-постановщик

Художник-постановщик (+1)

Aída-Leonor Guardia Beier

Художник по костюмам

Eva Butzkies

Художник по свету

Stefan Bolliger

Хормейстер

Jonathan Becker

Драматург

Benedikt Stampfli

Тенор

Anton Rositskiy

Benvenuto Cellini

Бас (+2)

Ante Jerkunica

Balducci

Баритон (+3)

Jérôme Boutillier

Fieramosca

Бас (+3)

Tilmann Rönnebeck

Le Pape Clément VII

Тенор (+3)

Aaron Pegram

Francesco

Бас-баритон (+4)

Vladyslav Buialskyi

Bernardino

Баритон (+5)

Matthias Henneberg

Pompeo

Меццо-сопрано (+3)

Stepanka Pucalkova

Ascanio

Тенор (+2)

Jürgen Müller

An innkeeper

Баритон (+2)

Anton Beliaev

An Officer

Orchestra

Staatskapelle Dresden

Видео

Sergio Verde

Хореограф

Juanjo Arqués

Semperoper

Дирижер

Дирижер (+1)

Oscar Jockel

Giampaolo Bisanti

In his early opera »Benvenuto Cellini«, which premiered in Paris in 1838, Hector Berlioz (1803-1869) produced an astonishing work of art centred around one of the most important artists of the 16th century. Although the opera sketches only three days in the colourful life of the Florentine sculptor, namely between Shrove Monday and Ash Wednesday in 1532, they are tumultuous enough: After several hours in the hustle and bustle of carnival celebrations in Rome, during which Cellini fatally stabs an enemy, the artist nevertheless enjoys sweet victory at the story’s end.

Hector Berlioz was known for his phenomenally differentiated use of the orchestra and its instruments. His many admirers included Richard Wagner. The richly varied score ranges from large-scale tableaux with rousing choral passages to uniquely orchestrated chamber scenes. In this way, Berlioz creates an unparalleled musical depiction of revelry at carnival time.

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