Name: Brahms' Piano Concerto No. 1
Start: 2018-12-05T00:00:00.000Z
End: 2018-12-05T00:00:00.000Z
Location: Konserthus

Admin

Oslo Philharmonic

Conductor

Vasily Petrenko

Instrumentalist

Simon Trpčeski

Piano

Orchestra

Brahms' Piano Concerto No. 1

Oslo

Norway

Konserthus

Public

Piano Concerto No. 1 in D Minor, op. 15

Keerthi Raj

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Singer

Tenor

Bass-baritone

Countertenor

Contralto

Soprano

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Brahms' Piano Concerto No. 1
Simon Trpceski returns to Oslo to perform Brahms´monumental Piano Concerto No. 1 with the Oslo Philharmonic and Vasily Petrenko.

It might be commonly claimed, that while Beethoven's “Emperor” concerto (his fifth) occupies a unique position amongst Romantic piano concertos, Johannes Brahms´(1833−1897) Piano Concerto No. 1 is its heir. With a reach, expressive register and monumentalism with surpassed its predecessor, Brahms set a new standard for the genre. Despite the fact that the concerto sets formidable technical demands for virtuosity and brilliance, it is not the bravura in and of itself which is the focal point. In this concerto, the soloist weaves his way into a drama which plays out within and together with, the whole orchestra.

In line with tradition, Brahms' first concerto for piano has three movements, and the composer builds on earlier models also in terms of form. The first movement has a classical sonata form, but the content and length of the various parts are untraditional. The symphonic drama, with the soloist playing the principal part, is followed by a far calmer second movement. “I am painting a tender portrait of you”, Brahms is to have said of this movement to Clara Schumann. Others have been more captivated by the way it floats, almost like Palestrina's vocal polyphony, and by its spiritual aura. At the start of the finale, the soloist takes back control and thunders away with both rhythmical panache and virtuosic flair. Brahms' first concerto for piano had its world premiere in Hannover in 1859 and was the composer's first successful work for orchestra.

English

Brahms' Piano Concerto No. 1 by Brahms, から (2018/2018), 導体 Vasily Petrenko, Konserthus, Oslo, Norway

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参考文献

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