Name: Brahms's Symphony No. 1
Start: 2025-03-28T00:00:00.000Z
End: 2025-03-28T00:00:00.000Z
Location: Amare

Admin

Residentie Orkest

Orchestra

Conductor

Jun Märkl

Instrumentalist

Dejan Lazić

Piano

Mathilde Wauters

Harp

Brahms's Symphony No. 1

The Hague

Netherlands

Amare

Concertzaal

Public

Concert

Dances for Harp and String Orchestra

Piano Concerto No.5 in F major ("Egyptian"), Op. 103

Symphony No. 1 in C Minor, op. 68

Joshua Dos

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Singer

Baritone

Contralto

Bass

Soprano

Countertenor

Bass-baritone

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

Meer dan twintig jaar deed Johannes Brahms erover om zijn Eerste symfonie af te ronden. Steeds opnieuw hield hij de muziek tegen het licht, en smeedde, poetste, kneedde tot hij zelfverzekerd wist: ik ben waar ik zijn moet. Onder de schaduw van Beethoven, zijn voorganger, vandaan; maar ook zonder hem de rug toe te keren.

De Eerste symfonie is een van de favoriete muziekstukken van onze vaste gastdirigent (en toekomstig chef-dirigent) Jun Märkl. Brahms gebruikte een verscheidenheid aan akkoorden, modulaties en contrapunten om de symfonie een rijke en subtiele klank te geven, die soms verrassend en onverwacht was. Even fascinerend is het mysterieuze en diepe Egyptische pianoconcert van Camille Saint-Saëns. Je hoort het kabbelende water van de Nijl, de kwakende kikkers en de zingende bootsmannen. Uitgevoerd in prachtig mooie klankkleuren en een rijkheid aan ritme door pianosolist Dejan Lazić – een graag geziene gast bij het Residentie Orkest. Wij openen met de fascinerende klanken van Debussy met onze eigen soloharpiste Mathilde Wauters.

Nederlands

It took Johannes Brahms over twenty years to complete his Symphony No. 1. Time and again, he held the music up to the light, forging, polishing and sculpting it until he knew without a doubt that he was where he needed to be. He'd finally managed to emerge from his predecessor Beethoven's shadow, but without turning his back on the great master.

Brahms's Symphony No. 1 is one of the favourite pieces of music of our regular guest conductor and future chief conductor Jun Märkl. Brahms employed a variety of chords, modulations and counterpoints to give the symphony a rich and subtle sound, sometimes surprising and unexpected. Equally fascinating is Camille Saint-Saëns's mysterious and profound piano concerto popularly known as The Egyptian. You'll be able to hear the rippling waters of the Nile, the croaking frogs and the singing boatmen. The piece, with its beautifully rich tones and wealth of rhythms, will be performed by piano soloist Dejan Lazić, a frequent guest with the Residentie Orkest. We'll kick off the evening with the captivating sounds of Debussy, featuring our own solo harpist Mathilde Wauters.

English

Brahms's Symphony No. 1 by Debussy, Saint-Saëns, Brahms, Frá (2025/2025), Hljómsveitarstjóri Jun Märkl, Amare, The Hague, Netherlands

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