Name: Bruckners Zevende en Mozart
Start: 2024-01-17T00:00:00.000Z
End: 2024-01-18T00:00:00.000Z
Location: Het Concertgebouw

Organization

Conductor

Myung-Whun Chung

Instrumentalist

Emanuel Ax

Piano

Orchestra

Concertgebouworkest

Bruckners Zevende en Mozart

Amsterdam

Netherlands

Het Concertgebouw

Bruckners Zevende en Mozart: Piano Concerto No. 17 in G Major, KV. 453 Mozart (+1 More)

Public

Private

Piano Concerto No. 17 in G Major, KV. 453

Symphony No. 7 in E Major, WAB 107

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Singer

Tenor

Countertenor

Bass

Mezzo-soprano

Soprano

Baritone

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Bruckner en Mozart zijn beiden vaak met het goddelijke in verband gebracht. Velen beschouwen Mozarts muziek als door de hemel gezonden; de diepreligieuze Bruckner richtte zijn symfonieën juist tot de hemel. Voeg daarbij de tijdloze grootheid van Myung-whun Chung – al veertig jaar gastdirigent bij het Concertgebouworkest! – en het even onaantastbare meesterschap van pianist Emanuel Ax: dichter bij het hogere kan het Concertgebouworkest u niet brengen.

Bruckners symfonieën hebben altijd een onmiskenbare spirituele lading. Vooral de Zevende klinkt als een religieus visioen. De muziek openbaart zich als een grandioos spel van licht en duisternis, van roerloze extase en duivelse uithalen. Daarbij demonstreert Bruckner dat hij zich niet altijd in massieve klankblokken hoefde uit te drukken, maar ook kamermuziek-achtig helder kon componeren. Voor de componist zelf had dit werk een bijzondere betekenis. Het bracht hem eindelijk brede erkenning, nadat hij jarenlang door critici was neergesabeld.

Nederlands

Both Bruckner and Mozart are often associated with the divine. Many consider Mozart’s music a gift from the gods, and the profoundly religious Bruckner dedicated his symphonies to heaven. Add to that the timeless grandeur of Myung-whun Chung – guest conducting the Concertgebouw Orchestra for forty years! – and the undisputed virtuosity of pianist Emanuel Ax: the Concertgebouw Orchestra could hardly bring listeners closer to paradise. 

Bruckner’s symphonies always have an unmistakably spiritual connotation. The Seventh especially sounds like a state of religious rapture. The music reveals a grandiose play of light and darkness, from stately ecstasy to devilish outbursts. Here, Bruckner shows that he doesn’t always express himself in massive blocks of sound but can also compose with chamber-music-like clarity. This work had a special place in the composer’s heart because it finally brought him widespread recognition after years of being slammed by the critics.

English

Bruckners Zevende en Mozart by Mozart, Bruckner, Frá (2024/2024), Hljómsveitarstjóri Myung-Whun Chung, Het Concertgebouw, Amsterdam, Netherlands

Frammistaða áskriftir (Leikarar & starfslið )

Tækjabúnaður

Hljómsveit

Dagskrá, Um & Yfirlit

Ljósmyndir

Frekari lestur

Sýningardagsetningar og sýningarstaðir

Staðir