Name: Budapest 150
Start: 2023-11-19T00:00:00.000Z
End: 2023-11-19T00:00:00.000Z
Location: Pesti Vigadó Ceremonial Hall

Admin

Hungarian National Philharmonic

Conductor

András Keller

György Vashegyi

Orchestra

Others

Hungarian National Choir

Chorus master

Csaba Somos

Singer

Tenor

István Horváth

Budapest 150

Budapest

Hungary

Pesti Vigadó Ceremonial Hall

Budapest 150: Ünnepi nyitány (Festival Overture), op. 31 Dohnányi, Ernst Von (+2 More)

Public

Concert

Ünnepi nyitány, op. 31

Dance Suite, Sz. 77, BB 86a

Psalmus Hungaricus (Psalm 55)

Jnanakumar P

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

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Dramaturge

Executive producer

Extra

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Illustrator

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Bass-baritone

Baritone

Bass

Mezzo-soprano

Contralto

Soprano

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

One hundred years have passed since Hungary celebrated the fiftieth anniversary of the unification of Pest, Buda and Óbuda at the Pesti Vigadó in 1923. The ceremonial event would go on to become a much-referenced date in music history: that evening of the 19th of November saw the premieres of three works – Dohnányi’s Festival Overture, Bartók’s: Dance Suite and Kodály’s Psalmus Hungaricus – all taking place at the concert. Paying tribute to the capital’s 150th anniversary jubilee, the Hungarian National Philharmonic will repeat that same programme on the exact same date of the earlier event, and at the same venue.

 

Dohnányi’s Festival Overture develops three different melodies – his own composition Hungarian Credo, along with two well-known tunes: Béni Egressy’s musical setting of Mihály Vörösmarty’s Appeal and Ferenc Erkel’s of Ferenc Kölcsey’s Himnusz, the Hungarian national anthem. Originally intending to use motifs from the folk music of the peoples along the Danube in his Dance Suite, Bartók ended up omitting the Slovak melody, although he did add an Arab segment. All this expresses the composer’s beautiful concept of “the ideal of the brotherhood of peoples” through the means of music. Kodály’s Psalmus Hungaricus sets to music Mihály Kecskeméti Vég’s paraphrase of the 55th Psalm, offering for Hungarians – a few years after the Treaty of Trianon – the example of the faith in God of a man who is surrounded by enemies and oppressed. The Hungarian National Choir and Hungarian National Philharmonic Orchestra’s tenor soloist, István Horváth, has extensive experience with the oratorical repertoire in addition to his operatic work. Taking the podium in addition to György Vashegyi, the Chief Music Director of the Hungarian National Philharmonic, will be guest conductors from two other excellent orchestras: Kálmán Záborszky of the Szent István Philharmonic and András Keller of Concerto Budapest.

English

Budapest 150 by Dohnányi, Ernst Von, Bartók, Kodály, から (2023/2023), 導体 András Keller, György Vashegyi, Pesti Vigadó Ceremonial Hall, Budapest, Hungary

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