Organization

Stage director

Rahel Thiel

Conductor

Rasmus Baumann

Costume designer

Renée Listerdal

Set designer

Dieter Richter

Dramaturge

Anna Chernomordik

Peter Kattermann

Nickolas Kudo

Lighting designer

Thomas Ratzinger

Singer

Mezzo-soprano

Lina Hoffmann

Carmen

Tenor

Khanyiso Gwenxane

Don José

Baritone

Petro Ostapenko

Escamillo

Soprano

Dongmin Lee

Frasquita

Anke Sieloff

Mercedes

Scarlett Pulwey

Yancheng Chen

Morales

Spoken

Georg Hansen

Lillas Pastia

Piotr Prochera

Bass

Philipp Kranjc

Zuniga

Demian Matushevskyi

Adam Temple-Smith

Dancaire

Oleh Lebedyev

Tobias Glagau

Remendado

Julia Faylenbogen

Carlos Cardoso

Heejin Kim

Michaela

Musiktheater im Revier

Orchestra

Neue Philharmonie Westfalen

Others

MiR Opera Ensemble

Gelsenkirchen

Germany

Großes Haus

Carmen Bizet

Public

Approved

7,479 views, 139 likes, 15 loves, 10 comments, 21 shares, Facebook Watch Videos from Musiktheater im Revier: "L'amour est un oiseau rebelle" &#x1f426; "Die Liebe ist ein rebellischer Vogel"...

Carmen the femme fatale, Carmen the outsider, Carmen the witch. Carmen bathes in the looks of her contemporaries. But what makes them so fascinating has been told anew every time since the success of Georges Bizet's opera of the same name. There is a Carmen in the car factory, a Carmen in the South African township and of course a Carmen in a flamenco dress. Are you born a Carmen or do you become one? Not only the portrait of a self-determined woman is unheard of for the Parisian audience of the premiere, but also the realism displayed: Carmen is a worker, maybe a prostitute and also a “Bohème”, a free-spirited anti-bourgeois pariah. The way her last lover, Don José, wants to possess her is unheard of from today's perspective. The reserved outsider turns out to be the most stubborn of her admirers. Marriage to his foster sister beckons the reclusive lieutenant. Instead, Carmen awakens longings in him that he has never felt before. When she threatens to move on, Don José experiences a new feeling - the raging jealousy that drives the once love story to its tragic end. In Georges Bizet's "Carmen" there are real people on the stage. But Bizet's music also means that the morbidly jealous Don José and the obscure Carmen make themselves heard by the audience. In Rahel Thiel's production, Carmen drags her audience head over heels into the human abyss. When she threatens to move on, Don José experiences a new feeling - the raging jealousy that drives the once love story to its tragic end. In Georges Bizet's "Carmen" there are real people on the stage. But Bizet's music also means that the morbidly jealous Don José and the obscure Carmen make themselves heard by the audience. In Rahel Thiel's production, Carmen drags her audience head over heels into the human abyss. When she threatens to move on, Don José experiences a new feeling - the raging jealousy that drives the once love story to its tragic end. In Georges Bizet's "Carmen" there are real people on the stage. But Bizet's music also means that the morbidly jealous Don José and the obscure Carmen make themselves heard by the audience. In Rahel Thiel's production, Carmen drags her audience head over heels into the human abyss.

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