Organization

Regio Opera Festival

Regia

Paolo Vettori

Costumi

Laura Viglione

Scenografia

Claudia Boasso

Direzione del coro

Claudio Fenoglio

Andrea Secchi

Cantante

Mezzosoprano

Ketevan Kemoklidze

Carmen

Tenore

Jean-François Borras

Don José

Baritono

Zoltán Nagy

Escamillo

Adattamento e testi narrati

Sebastian F Schwarz

Direzione d'orchestra

Sesto Quatrini

Luci

Lorenzo Maletto

Soprano

Benedetta Torre

Micaëla

Teatro Regio di Torino

Orchestra

Orchestra del Teatro Regio di Torino

Others

Coro del Teatro Regio di Torino

Coro di voci bianche Teatro Regio Torino

italiano

Torino

Italia

Teatro Regio

Carmen Bizet

Public

francese

Approvato

Starring Antonio Gades and Laura del Sol

vocal: Regina Resnik

"Habanera"
Love is a mutinous bird
That nobody can tame
In vain you'll call his name
When it suits him to refuse
No point in threats or pleading voice
The first speaks well and the other's dumb
The silent one's my choice
I fancy him though he keeps mum
 
Love, love, love, love

Love is the child of gypsy life
The laws he loves to flout
If you won't love me, I'll love you
And if I love you, then watch out!
If you won't love me
If you won't love me, I'll love you
If I love you, watch out!
 
The bird you thought you'd bait
Took wing and flew away
When love's far off, it makes you wait
When you give up, it's in the way!
 All around you, quickly winging by
It comes, it goes, and back again
You think you've caught it, then it's shy
When you keep clear, it's got you then!
 
Love, love, love, love

Love is the child of gypsy life
The laws he loves to flout
If you won't love me, I'll love you
And if I love you, then watch out!
If you won't love me
If you won't love me, I'll love you
If I love you, watch out!

Carlos Saura's "Carmen" (1983) Habenera

A work of seduction with inverted parts, almost a female Don Giovanni , Bizet's masterpiece transcends any gender distinction in a perfect theatrical mechanism, with situations that embody profound and universal conflicts, such as that between freedom and destiny.

English

Opera della seduzione a parti invertite, quasi un Don Giovanni al femminile, il capolavoro di Bizet trascende ogni distinzione di genere in un meccanismo teatrale perfetto, con situazioni che incarnano conflitti profondi e universali, come quello tra libertà e destino.

Carmen by Bizet, Da (2022/2022), Diretto da Paolo Vettori,, Direttore d'orchestra Sesto Quatrini, Teatro Regio, Torino, Italia

Crediti di rappresentazione (Cast e team di produzione )

Cast

Team creativo

Ensemble

Co-produttore

Programma, informazioni e sinossi

Recensioni

Video

Foto

Ulteriori letture

Date e sedi delle rappresentazioni

Sedi