Admin

State Opera Berlin

Maestro

Maestro (+1)

Valentin Uryupin

Diretor de Palco

Martin Kušej

Cenógrafo

Cenógrafo (+2)

Jens Kilian

Estilista

Heidi Hackl

Designer de Iluminação

Designer de Iluminação (+1)

Reinhard Traub

Mezzo-soprano (+4)

Gaëlle Arquez

Carmen

Tenor

Ivan Gyngazov

Don José

Baixo-barítono (+3)

Lukasz Goliński

Escamillo

Barítono (+2)

Jaka Mihelač

Dancaïre

Tenor (+3)

Andrés Moreno García

Remendado

Barítono (+3)

Roman Trekel

Moralès

Baixo (+7)

Jan Martinik

Zúñiga

Soprano (+1)

Clara Nadeshdin

Micaëla

Rebecka Wallroth

Mercédès

Maria Kokareva

Frasquita

Orchestra

Staatskapelle Berlin

Chorus

Staatsopernchor Berlin

Staatsoper Unter den Linden

Ator (+5)

Sébastien Dutrieux

Lillas Pastia

Assistente De Diretor De Palco

Diretor de Palco (+2)

Katharina Lang

An opéra comique with a tragic ending that brings the eternal game of passionate love and tormenting jealousy to the stage, and whose rousing music has appealed to audiences all over the world and continues to appeal to them again and again - that is Bizet's "Carmen". Mutual forces of attraction and repulsion are at work, with ultimately fatal consequences - carried and taken responsibility for by idiosyncratic, memorable characters.

Georges Bizet, the talent of the century, could only have guessed at the success of his "Carmen", which premiered in Paris in the spring of 1875, but could not enjoy it. When his opera was performed for the 33rd time, he died at the age of just 38. Today, "Carmen" is one of the most frequently performed pieces in the repertoire, and there is no end in sight to the enthusiastic response. Quite a few musical numbers have become real "hits", and the southern sound color and the bright orchestral colors, which radiate something very sensual, create additional appeal. This music, which fits so harmoniously with the dramatic events, is cleverly made, and yet so catchy, "popular" in a good sense. Each of the characters is given their own musical profile - lifelike people come on stage in a quasi-realistic way, which supports the credibility of their singing and acting. Bizet's "Carmen" is one of the declared masterpieces of opera literature.

francês

Berlim

Alemanha

Carmen Bizet

Staged

Ópera

Keerthi Raj

alemão

inglês

In this episode, soprano Serena Sáenz, who sings the role of Mercédès in our current production of CARMEN, reveals where in pop culture you can find the hits "Habanera" and the Toreador Song from Bizet's opera.

In dieser Folge verrät die Sopranistin Serena Sáenz, die in unserer aktuellen Produktion von CARMEN die Rolle der Mercédès singt, wo überall man in der Popkultur die Hits "Habanera" und das Toreador-Lied von Bizets Oper finden kann.

pOpera Culture | CARMEN in the movies

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