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State Opera Berlin

Дирижер

Дирижер (+1)

Валентин Урюпин

Режиссер-постановщик

Martin Kušej

Художник-постановщик

Художник-постановщик (+2)

Jens Kilian

Художник по костюмам

Heidi Hackl

Художник по свету

Художник по свету (+1)

Reinhard Traub

Меццо-сопрано (+4)

Gaëlle Arquez

Кармен

Тенор

Иван Гынгазов

Дон Хозе

Бас-баритон (+3)

Lukasz Goliński

Эскамильо

Баритон (+2)

Jaka Mihelač

Данкайро

Тенор (+3)

Andrés Moreno García

Ремендадо

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Roman Trekel

Моралес

Бас (+7)

Jan Martinik

Цунига

Сопрано (+1)

Clara Nadeshdin

Микаэла

Rebecka Wallroth

Мерседес

Maria Kokareva

Фраскита

Orchestra

Staatskapelle Berlin

Chorus

Staatsopernchor Berlin

Staatsoper Unter den Linden

Драматический актер (+5)

Sébastien Dutrieux

Лилас Пастья

Ассистент режиссера

Режиссер-постановщик (+2)

Katharina Lang

An opéra comique with a tragic ending that brings the eternal game of passionate love and tormenting jealousy to the stage, and whose rousing music has appealed to audiences all over the world and continues to appeal to them again and again - that is Bizet's "Carmen". Mutual forces of attraction and repulsion are at work, with ultimately fatal consequences - carried and taken responsibility for by idiosyncratic, memorable characters.

Georges Bizet, the talent of the century, could only have guessed at the success of his "Carmen", which premiered in Paris in the spring of 1875, but could not enjoy it. When his opera was performed for the 33rd time, he died at the age of just 38. Today, "Carmen" is one of the most frequently performed pieces in the repertoire, and there is no end in sight to the enthusiastic response. Quite a few musical numbers have become real "hits", and the southern sound color and the bright orchestral colors, which radiate something very sensual, create additional appeal. This music, which fits so harmoniously with the dramatic events, is cleverly made, and yet so catchy, "popular" in a good sense. Each of the characters is given their own musical profile - lifelike people come on stage in a quasi-realistic way, which supports the credibility of their singing and acting. Bizet's "Carmen" is one of the declared masterpieces of opera literature.

французский

Carmen -  (Кармен)

Берлин

Германия

Carmen Bizet

Сценическая постановка

Oпера

Keerthi Raj

немецкий

английский

In this episode, soprano Serena Sáenz, who sings the role of Mercédès in our current production of CARMEN, reveals where in pop culture you can find the hits "Habanera" and the Toreador Song from Bizet's opera.

In dieser Folge verrät die Sopranistin Serena Sáenz, die in unserer aktuellen Produktion von CARMEN die Rolle der Mercédès singt, wo überall man in der Popkultur die Hits "Habanera" und das Toreador-Lied von Bizets Oper finden kann.

pOpera Culture | CARMEN in the movies

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