Kollha
Casting Tool
Kirjiet
Aġġorna l-Profil
mt
Idħol
Pro/Casting
mt
Fittex: Prestazzjonijiet, Artisti, Kumpaniji, Festivals, Maniġer, Postijiet, Xogħlijiet mużikali, Vidjows
Ewlenija
Prestazzjonijiet
Artisti
Kumpaniji
Festivals
Maniġers
Postijiet
Aktar
Organizzazzjonijiet
Staġun
Konkorsi kant
Kompożituri
Xogħlijiet mużikali
Vidjows
Pro Tools
għall-professjonisti tal-industrija
Għall-udjenza
Prestazzjonijiet
Česká filharmonie • Giovanni Antonini
Česká filharmonie • Giovanni Antonini
Aqsam
Czech Philharmonic
(2020)
01 - 03 April 2020
(3 rappreżentazzjonijiet)
Żur il-websajt
|
2h 0mins
Rudolfinum — Dvořák Hall, Prague, Czech Republic
Informazzjoni minn organizzazzjoni tal-arti (Verifikat minn Operabase)
Česká filharmonie • Giovanni Antonini by Beethoven, Gluck, Minn (2020/2020), Surmast Direttur Giovanni Antonini, Rudolfinum — Dvořák Hall, Prague, Czech Republic
Krediti ta' prestazzjoni
(Il-Kast & l-Ekwipaġġ )
Ara kollox
Agħżel Xogħol
Symphony No. 2 in D Major, op. 36
(Symphony No. 2 in D major, Op. 36)
,
Beethoven
Produttur
Czech Philharmonic
Conductor
Giovanni Antonini
Ensemble
Orkestra
Czech Philharmonic
Programm, Dwar & Sinossi
Ara kollox
Programm
3
Česká filharmonie • Giovanni Antonini
Symphony No. 2 in D Major, op. 36
(Symphony No. 2 in D major, Op. 36)
,
Beethoven
Oratorio / Orchestral
Concert
Symphony No. 8 in F Major, op. 93
(Symphony No.8, Op.93)
,
Beethoven
Oratorio / Orchestral
Concert
Don Juan
,
Gluck
Ballet
Concert
While Count Carl von Oppersdorff was visiting his friend Prince Lichnowsky, he heard Ludwig van Beethoven’s Second Symphony, and he was so enthusiastic that he immediately offered the composer a large sum of music to composer another symphony for him. But while Beethoven’s music thrilled Count von Oppersdorff, the critics in Vienna could not stand it. According to the “Newspaper for the Elegant World”, the Second Symphony made the impression of “a hideously writhing, wounded dragon that refuses to die, but is writhing in its last agonies and, in the fourth movement, bleeds to death.” Beethoven further strengthened the effect of this terrible, devilish music by excluding the elegant minuet and by putting a thorny scherzo in its place. As it turns out, scherzos would become a fixed feature of symphonic form, displacing the unfortunate minuet for good. The Eighth Symphony is one of Beethoven’s few compositions that does not bear any dedication. Beethoven called it “my Little Symphony in F Major” to differentiate it from the Pastoral Symphony. Although its premiere was not as successful as that of the Seventh Symphony that preceded it, the composer held it in very high regard musically. The ballet Don Juan by Christoph Willibald Gluck also tells a very exciting story. Its importance to the ballet genre is similar to the importance of the revolutionary work Orfeo ed Euridice to opera. Don Juan is actually the first ballet to present the entire narrative of a story. Gluck had a very good grasp of dance, and he understood it as an art form all its own, entirely independent of music. The task of the dancer was to combine the musical and dancing elements into a single effective whole. There could be no better subject matter for this “prototype” than the drama of Don Juan.
Dwar l-informazzjoni hija disponibbli fi: English
Aktar qari
Tgħallem aktar dwar il-kompożitur
Beethoven
Gluck
Tgħallem aktar dwar ix-xogħol mużikali
Symphony No. 2 in D Major, op. 36
(Symphony No. 2 in D major, Op. 36)
,
Beethoven
Symphony No. 8 in F Major, op. 93
(Symphony No.8, Op.93)
,
Beethoven
Don Juan
,
Gluck
Dati u Postijiet ta' Prestazzjoni
3
Ara kollox
Postijiet
Prague, Czech Republic
Rudolfinum — Dvořák Hall | Prague, Czech Republic
2020
April
01
,
02
,
03