Name: Color
Start: 2022-10-09T00:00:00.000Z
End: 2022-10-09T00:00:00.000Z
Location: Opéra de Lille

Organization

Conductor

Simon-Pierre Bestion de Camboulas

Pianist

Singer

Soprano

Amélie Raison

Opéra de Lille

Color

Lille

France

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Baritone

Bass-baritone

Contralto

Tenor

Bass

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Color: Concert Various

“ Color is the beauty of sound. Thus the author Jean de Garlande defines the processes of embellishment and repetition of the new polyphonies of the 13th century.

The theoretician is interested in the very experience of musical practices and the phenomenon of sound. It evokes the pleasure that the listener finds in repetition and ornamentation: repetition encouraged by the arrival of the rhythmic notation of the melodies; ornamentation enhanced by the performers' ability to improvise.

Color explores the experience of this fine game of balance between rhythmic tensions and insistent melodies, acting like a common thread between centuries of music, giving the sound material its real, obsessive character.

Founded in 2015 by Simon-Pierre Bestion, the vocal and instrumental company La Tempête has set itself the goal of renewing the approach to musical performance, and transforms the concert into an experience of sensory immersion. Games of lights and acoustics, mixing of colors, staging, spatialization...

So many new ways to allow early music to “unfold just as much in their meditative as in their dancing energies”.

English

« Color est la beauté du son. » Ainsi l’auteur Jean de Garlande définit-il les procédés d’embellissement et de répétition des nouvelles polyphonies du XIIIe siècle.

Le théoricien s’intéresse à l’expérience même des pratiques musicales et du phénomène sonore. Il évoque le plaisir que l’auditeur trouve dans la répétition et l’ornementation : répétition encouragée par l’arrivée de la notation rythmique des mélodies ; ornementation sublimée par la capacité d’improvisation des interprètes.

Color explore l’expérience de ce fin jeu d’équilibre entre tensions rythmiques et mélodies insistantes, agissant tel un fil conducteur entre des siècles de musique, donnant à la matière sonore son caractère réel, obsessionnel.

Fondée en 2015 par Simon-Pierre Bestion, la compagnie vocale et instrumentale La Tempête s’est donné pour but de renouveler l’approche du spectacle musical, et transforme le concert en expérience d’immersion sensorielle. Jeux des lumières et des acoustiques, mélange des teintes, mise en scène, spatialisation…

Autant de moyens inédits pour permettre aux musiques anciennes de « se déployer tout autant dans leurs énergies méditatives que dansantes ».

français

Color by Various, Noiztik (2022/2022), Zuzendaria Simon-Pierre Bestion de Camboulas, Opéra de Lille, Lille, France

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