Organization

Arsmondo

Direction d'orchestre

Duncan Ward

Mise en scène

David Hermann

Décors

Jo Schramm

Costumes

Bettina Walte

Lumières

Fabrice Kebour

Direction de choeur

Alessandro Zuppardo

Chanteur

Soprano

Gemma Summerfield

Fiordiligi

Mezzo-soprano

Ambroisine Bré

Dorabella

Lauryna Bendziunaite

Despina

Ténor

Jack Swanson

Ferrando

Baryton

Björn Bürger

Guglielmo

Basse

Nicolas Cavallier

Don Alfonso

italien

Così fan tutte

Colmar

France

Comédie de Colmar

Mulhouse

Temple Saint-Étienne de Mulhouse

Strasbourg

Opéra national du Rhin

Public

français

allemand

Valide

Opéra de Strasbourg

O mad desire to seek to discover this evil which, a once found, makes us unhappy. This evil of which Don Alfonso speaks with great wisdom and experience is that of jealousy which, like any deadly poison, requires shock treatment. To demonstrate to Ferrando and Guglielmo that women can be just as unfaithful that men – humanity is thus made –, he offers them to conquer their respective fiancées, Dorabella and Fiordiligi, borrowing new identities. This game of dupes quickly turns into a love affair and provokes a series of misunderstandings, heartbreaks and revelations that will shake up the ideals and the naivety of four lovebirds. In the language of love, gestures and looks are often much more and sincere than long speeches.
This discrepancy between the "said" and the "unsaid" is the essence even from Così fan tutte : the sublime music of Mozart speaks much more than the mischievous words of Da Ponte. That exploration of the infinite meanders of desire undertaken at the end of the 18th century, the director David Hermann turns it into a loving odyssey driven through the times and the horrors of the first half of the 20th century.

English

Così fan tutte by Mozart, Du (2022/2022), Dirigé par David Hermann,, Chef d'orchestre Duncan Ward, Opéra de Strasbourg, Strasbourg, France

Crédits de représentation (Distribution et équipe de production )

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