Organization

Сопрано (+1)

Perrine Devillers

Soloists

Lieselot De Wilde

Бас-баритон (+7)

Yannis François

Баритон (+3)

Nicholas Merryweather

Меццо-сопрано (+7)

Lucile Richardot

Тенор (+2)

Antonin Rondepierre

Режиссер-постановщик

Jos Houben

Режиссер-постановщик (+1)

Emily Wilson

Дирижер

Дирижер (+1)

Sébastien Daucé

Художник по свету

Художник по свету (+1)

Christophe Schaeffer

Художник по костюмам

Художник по костюмам (+2)

Oria Puppo

Художник-постановщик

Драматург

Katherina Lindekens

Atelier Lyrique de Tourcoing

Athénée Théâtre Louis-Jouvet

Opéra Royal de Versailles

Opéra de Rennes

Opéra Orchestre Normandie Rouen

Théâtres de Compiègne

Orchestra

Ensemble Correspondances

Born in the 16th century in England, the "masks", or rather masks , had the characteristics of mixing music, song, dance, theater, grandiloquent decorations... in the service of a figure of power whose qualities were praised. All elements that would later flourish in the Baroque gesture and that we find in French court performances. Cupid & Death, a mask with five entrances, begins with an inversion: Cupid shoots his arrows at two lovers and kills them, while death stings with points of love two old men ready to die. The libretto by playwright James Shirley, adapted from an Aesop fable, imagines the consequences of what love become dead and death transformed into love would generate: a capital chaos where polarities are reversed, where nature goes mad and enemies discover themselves friends…

A spirited variation of deadly love that the duo of directors Jos Houben and Emily Wilson, accustomed to discrepancies and games of bodies and objects ( La Princesse lumière , 2017), will passionately renew.

английский

Cupid and Death -  ("Купидон и Смерть")

Париж

Франция

Grande Salle

Cupid and Death Locke

Сценическая постановка

Oпера

"Купидон и Смерть"

французский

Théâtre de l'Athénée Louis-Jouvetdu 18 au 27 novembre 202120h, 16h le dimancheNés au XVIe siècle en Angleterre, les « masques », ou plutôt masks, avaient pou...

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